supplicium post mortem

As regular readers probably know, I have gone to a few tgi-oriented parties here in Gotham during the last six months. Those who have encountered me at those parties will know that I have not played at them. I haven’t really written about these non-play experiences. I love to read other people’s reports of play dates and parties, but I’m reluctant to write about my own experiences. I guess I don’t want to be the object of anyone’s blogging, so I shy away from talking about other people. I don’t mind people reporting that they had tea with me and that I am brilliant and charming, but I wouldn’t want an intimate play session shared with the internet. I’ve only written about some of my past scenes because my partner is dead. I don’t want to come off as censorious–to repeat, I love reading other people’s reports and do not disapprove in the slightest. Why, then, can’t I imagine writing about my own encounters? I can’t argue that I’m too shy to reveal myself. Heaven knows I’ve revealed the most essential parts of myself, repeatedly, right here. Maybe I’ll change my mind when I actually have an encounter to report.

Because here is how these parties go: I turn up, people are standing or sitting around in a central area, other people are off playing (behind screens or in playrooms). I get a glass of water. I eat a pretzel. I chat. I tend to be more relaxed talking with girls, probably because I don’t imagine any subtext to those conversations. Rightly or wrongly, on some level I trust women because I don’t think they’re trying to play with me. I don’t mistrust men per se, but there’s always the specter of possible play, no matter how respectful or even uninterested in me they are. So, I chat easily with girls (unless they’re acting frosty due to seeing me as some kind of competition–what a laugh), and easily enough with men. What do I chat about? Well, recently, I heard all about winter carnival arrangements in the midwest; I discussed scuba diving; I heard about motorcycle culture; I heard about the extent of the Scene in various other locales. All this serves, ultimately, to establish an ordinary human connection with my interlocutor, to remind us both that we are regular people who happen to have this hobby in common. Sometimes people show me their toys. I appreciate toys, as I would appreciate someone’s fountain pen collection. But do they turn me on and make me want to play? No.

I tell everyone that I am not playing. I explain I am bereaved and not ready to play. Everyone is respectful. I should take whatever time I need, they say; I will know when it’s right, and I must do only what I want to do, they say. We are all agreed on this point. I think I must confuse people, nevertheless, because here I am chipper and friendly (I hope), yet not playing. It isn’t as though I’ve gone with a partner or even with a group of friends. Given my solo status, why am I there, again, if I really really don’t want to play?

Sometimes people think I need reassurance, as if I’m a novice trying to take the plunge. They suggest that—when I am ready—I should think about finding a friendly person and just doing a little friendly scene to get my feet wet. Perhaps I do need to get my feet wet. Perhaps I don’t. But the more time I spend at parties, the more I begin to feel that it isn’t going to happen in that kind of environment. And, whatever you might say about my situation, I am about as far from an anxious novice as you can get.

Let me try to explain why—and before anyone feels hurt, it’s nothing to do with the parties themselves or the people at them. The parties and party goers are all welcoming, respectful, and just fine. The truth is that when I turn up at a party, I am actually about a million miles away from casey, even though I borrow her name. The person attending these parties is my ordinary, workaday self, under an alias. This person chatting away about spanking, scuba diving, history, whatever—this person could just as easily be on the telephone with some vogonic city department sorting out a business problem; or having a conference about some kid’s learning issues; or chatting with college or theater friends at their parties. This person is rational, confident, witty, empathic, together. This person is not casey.

As I was leaving a party recently, I was trying to imagine what would happen if I were to go off in one of the playrooms with some man I knew a little, a man I trusted to be moderate and not creepy. Off we would go, away from the party, and it would be just the two of us. And then, well, I’d have to dredge up casey. Why? Because casey is the channel through which I play (as a bottom). “Casey” is the label for that part of me, that vulnerable part of my personality, that young, gently cheeky, highly emotional side of me. The ordinary me has no interest in going across someone’s knee. The ordinary me is a completely together woman. So, here I would be with a man I knew only slightly, and suddenly casey would have to appear, or there would be no point to our encounter.

This, friends, is the sticking point. Because casey is something that was between me and M. And now casey is orphaned, scared, and bereaved, more bereaved than even I am. *

Is grief an activity or an emotion? Certainly, over the last year and a half I have allowed grief to work on me, as I try at church to let the liturgy and the music work on me. I don’t know how much it all penetrates to the part that is casey. Probably that is very protected and cloistered. It hurts a lot—a lot—even just now thinking of her and feeling her in my heart. I try to love her and take care of her and not bully her and do what I heard M say that awful day when we were interring his ashes.

God: casey wants to die. She doesn’t think there is any hope for life without Marky and RP. She hates people. She refuses to trust anyone, now or ever. She says I can quit going to these parties and quit blogging and quit tweeting and give all her clothes away to the poor.

So… of course I am not going to these parties to play. I am going simply to meet people and with luck make a few friends. And the thing with casey is that before she can be whacked or even spoken to in a toppy way, she needs simply to be seen. I mean that literally. No one has seen her face, no one has called her name—to her—in over 18 months. Just turning up in a room, wearing her clothes, and having someone speak to her, not a grown-up pre-match conversation, but as casey, as little casey. Someone would have to address her as a real person, not in some costume-shop top mode—young-lady-this-&-that, you’ve-been-very-naughty, etc. She might not even be able to speak the first time. She might sit there like some mute, traumatized orphan. So someone would have to talk to her, gently, not in a cotton-wool way, but like a strong adult with good boundaries and plenty of compassion. Like a real person would speak to someone in her circumstances. Just having someone speak to her like this might make her cry in about five seconds. It might be a long time, many such encounters, before it was anything like a good idea to introduce the idea of discipline into the relationship. Because—guess what?—whacking isn’t what it’s all about for casey, or for me. At least not now.

This, then, is why I am a dud at parties. I’m grateful to people for continuing to invite me. I guess no one ever claimed that the grief-stricken were any fun. I guess putting up with us is a kind of mitzvah. So…thanks.

* apparently a kind of theme/variation on this rant re. casey & play

Last month I had a dream concerning the above. If dreams bore you, move along. Ditto if scatological references squick you.

In this dream I was playing Harry Potter (looking like Dan Radcliffe in move #2). Ron, Hermione, and I were leaving a grocery store by way of a maze the staff had created for us. At the exit/checkout they told me/Harry that I needed a bag–they held up a plastic grocery bag and indicated that it needed to contain a pile of shit, like dog shit, but presumably my shit. Unable to exit, the three of us returned to the center of the maze to see Snape (calm down, girls). The idea was that I had ducked out on a caning from him, but if I took the caning, he would apply some magic purple goo to the cane marks afterwards and this would produce the shit I needed to exit the maze. Snape would Win the encounter because he would get to cane me, which he considered I richly deserved, but I would accept it because then I’d be able to get out of the maze.

We approached him in the dim place at the center of the maze. He was high above us on a dias. The darkness was  illuminated by a big, hot stage spotlight, which someone was adjusting to focus on me. I uttered a humble submission, but he couldn’t hear me (or pretended not to) up there. I mumbled something else. Same problem. Finally I said: Sir, I’m willing to accept the whack now. He came down and proceeded to deal with me, surprisingly not acting scornful or gloating or condescending or sneering, but formal and perhaps underneath it–through his ceremony and care–a bit respectful. He touched my robe and indicated that I should remove it. I handed it to Ron and Hermione. Now I was wearing a red tartan skirt, jumper, and knee-socks (and at this point the character sort of mixed with casey).

Snape gestured for me to bend over so that my friends and the spotlight were behind me. I bent over, nervous now, and suddenly shy of exposing myself. Sir, I said meekly, does Hermione have to…? He ignored my modesty and lifted up my skirt, embarrassing me further that Hermione would see my pants. I was bent over, hands on knees/toes, scared, very scared. I collected myself and practiced the detachment necessary, even recalling to myself advice some of my characters had given each other. I heard the swish and inhaled.

It hurt, and shocked me. I tried not to clench. The second one came shortly, and to my surprise didn’t hurt as much. The third, less still. What was he playing at? This was supposed to be an epic, revenge whacking and take me to my absolute limit or beyond. Strokes 4, 5, and 6 came all together, like light taps. But then the kicker: through Snape’s magic, they began to burn intensely.

Ah, this was where the suffering would begin! He had only been lulling me into a false sense of security. He might even begin to narrate the rest of the whacking with his loathing, ironic voice: You see, Potter, your confidence has been misplaced. It is false, in this and everything. You do not control the pain allocated to you, and your mental machinations are nothing but vanity–whack–vanity.

This didn’t happen, however. After the six, he let me up, not even especially sore. He treated me with that restrained, unspoken affection, that deep and powerful if unexpressed love that a teacher can have for a student, the gentleness beneath the severity, the paternal longing, the ultimate benevolence beneath the temporary sternness, the loving father beneath the stern God of Israel.

A few points of reflection: 1) the blending of me with Harry Potter; 2) the logic of the dream, that to be allowed out of the maze, you need a bag of your own shit, to be produced by the process of taking the cane; 3) Snape’s multifaceted personality, ranging from hostile authority to benevolent mentor; 4) the mildness of the whacking itself.

On an immediate level, this dream appeared to be about writing, though I suppose you could extrapolate beyond that. What is required to escape the maze? Shit. Your own shit. And entwined with this is the act of submitting to a hostile authority, one you had escaped previously by your own wits. Now, though, you must return to the dark center of the maze and voluntarily submit to that which you had evaded. Submit to an enemy. Submit, perhaps, to boredom, bad writing, meaningless, even death itself. You have to let Snape do what he will with you, even if your clever friends can see your underpants. All this in the service not of something beautiful, but in a bag of excrement, which is the only exit fee accepted here.

This dream also suggests that the hostile authority is only hostile because of my arrogance and evasion, and when I at last submit to him, confessing that I deserve his chastisement, he doesn’t hurt me so very much. In fact, he radiates a secret and unspoken love for me.

Finally, in this dream I am playing not myself or casey or even Hermione, with whom I generally identify, but Harry, the hero, the one who winds up doing great things even though he is very flawed and very human.

I guess we are all the main actors of our own stories. Excrement and suffering are certainly needed to exit the maze of a creative venture. And Snape, I know for a fact that I am not alone in saying I would submit to his hostile authority any day. Any day! If only writing were as simple as all that.

What has Casey Morgan been up to the last thirty days? Has Supplicium Post Mortem indeed died, or is it like the plant life all around us here in Gotham, dead-looking, but not in fact dead? As with the plant life, only time will tell.

The short answer to what Casey has been up to is NaNoWriMo. Don’t run away just yet. Rest assured this is not one of those posts that will go on at length about how Stressful, how Angst-ridden, how Amazing-Super-Awesome, how Challenging this Incredible-Amazing-Super-Awesome-Herculean-Insane-Really-Insane month was. No offense to any NaNo pals, but even when I feel that way myself, reading about it from other people makes me secretly want to slap them. So, I won’t whitter on with the breathless, flushed, nauseatingly healthy glow of the physically fit after a bracing run. Screw those people (again, no offense to the fit amongst you).

As you might have gathered from the NaNo widgets, I did in fact “win”. That’s right, kids, I am a Winner. Please remind me of that when I feel like a Loser, which is pretty much all the time. When M and I used to play, often we would have to time-slip a scene. For instance, maybe the board said Marky was to report to TL at 7.30 pm for a Report, but then when 7.30 came around, M wasn’t in the right headspace, and since I wasn’t willing to have TL take the rap for screwing around with kids’ Reports, we just time-slipped the scene, i.e. did it another time, but said it was the original time. When you’ve got a constant fluid narrative going on—some of it actually acted out, some of it just discussed with each other—the time slip is an indispensable tool for keeping play and life in balance.  So (this was not actually a non-sequitur) if the actual completion of the 50,000 words was every so slightly time-slipped by a few hours (but less than 12), because we found it shockingly difficult to pull the kind of late hours we used to pull, well, then, the Office of Letters and Light* neither knew nor minded. Anyway, since we were officially NaNo rebels, writing the 50K on a pre-existing project, the little time-slip fit right in. And the point is that we wrote that many words, new words, and more importantly, we finished the key plot arc in the book. Win. *rotates finger ironically*

Depression, anyone? I was talking to my spiritual director about the annoying neutrality that has ensued. I ought to feel at the very least grateful because I wrote more on my real writing in November than I wrote since M died. I wrote a piece of narrative I’ve been thinking and wondering about for more than ten years. I’ve been praying for help getting that writing started again, injecting some life there, if possible. And, look, it happened. So why does it feel like it’s nothing?

My spiritual director is wont to draw upon literature for illustration (whether he does this always or just with me, I don’t know), and his view was that a) feelings at the end of things were unpredictable, and b) not being able to value the valuable was, simply put, a maneuver of evil upon us when we are vulnerable. He recalled The Screwtape Letters, which I adore. In them Lewis so dramatically and comprehensibly helps us imagine the way evil works upon us. I love Lewis’s imagining of Satan as a kind of drab, far-removed civil servant jeffe, Screwtape. The hapless Wormwood is coached on his almost medical mission viz. his Patient (i.e. the person he is attempting to corrupt). Screwtape and Wormwood are not inspiring murder, rape, fornication, theft, genocide, destruction, or anything particularly dramatic, but instead they work upon the Patient by gently suggesting things to him that lead him by hairs away from what is true and ultimately good.

by Moro Rogers http://kambodiahotel.blogspot.com/

So here am I, 50K later, and do I feel satisfaction at good work? Do I even feel gratitude? No, I don’t, because the Wormwoods of this world are whispering in my brain: It’s not that big of a deal. You’ve done that before, so big whoop. 50,000 horrible words are nothing to be proud of. You may have written all that, but it’s not a book, and since you remain entirely confused, will probably never become one, especially as the one person you could rely upon for good advice is dead. And anyway, even if you did finish it, it will just go the way of the last one—nowhere.

Recognizing this as a form of evil helps, I think. Self-doubts, perhaps, ought to be analyzed, disputed, argued around. Evil, however, must simply be turned from. And so I turn. It hasn’t brought an onrushing of joy. I’m not sure I’m capable, yet, of such an emotion. But it has allowed me to start rereading the drek that was so unbelievably bad it felt that my fingers should fall off from typing it. And, you guessed it, the drek is not as bad as it seemed at the time. In fact, it’s good in places. I say this not to brag, but to encourage those of you who wrote some or all of the 50K, but are so embarrassed by your efforts that you can’t bear to go back and read it. Something happens to work written that fast. It may not be brilliant, and large swaths of it may call for laughter, but when you go back to it, the writing will contain things you have no memory of putting there. So, if you don’t reread, you can’t enjoy them. Message: man up and read the shit. If you are thinking to yourself, Well, it’s fine for Casey to say that, she’s a good writer, but I’m not, I have one word for you: Screwtape.

Those of you who aren’t into all this writing business, normal service will resume… at least I hope it will.

* The HQ of NaNoWriMo

You sit at home, admit it, and say to yourself: I wonder what Casey Morgan is doing right now? I mean, how does she actually go through her day, like a Real Live Person? Mind-blowing to contemplate, I know. It is also dizzying to try to keep track of the various kinky weekends occurring around the globe just now. But please do not imagine that Casey Morgan is that type of jet-setter. Her existence is in fact tremendously prosaic. Evidence? Very well. Please find below Exhibit A: Friday, November 6, 2009 as lived by Casey Damn Morgan.

It is technically a day off, so she sleeps super-late, until 7:45 AM. Drags self from bed, puts on to-be-washed black clothes: cords (commando), socks, shirt, zip-top, winter coat, shoes, sunglasses. Leashes dogs and takes them to small park (for ball), then large park (extendo-leash walk). This is the typical morning routine. The weather is wintry cold, sunny, windy, leaves turned, many on the ground. You really have to pay attention or you will lose your dog’s offerings in the leaves.

Après park, she drinks the last of yesterday’s cold coffee, exchanges dirty clothes for dressing gown, and puts laundry in machine. She feeds the dogs. She addresses an item on the whiteboard: Coil. To do this, she goes down the rickety basement stairs and drains the water from the boiler, a procedure rather like That Thing for furnaces. It’s been taking longer and longer in recent months to get the water to run clear. Do all the pipes in this 100+ year old building need replacement? Why, boiler? Why?

Next she takes a shower, dresses in clean clothes, dries her hair, starts the dishwasher from yesterday, and sits down at the computer. She reviews email. She posts 3F wildcards. She reads the blogs and tweets of friends, kinky and otherwise. She goes upstairs to change the laundry over, and while she’s there, she digs through a box for some photos she promised to find and scan for a friend. Unfortunately, these photos are in the same part of the box with some photos of M when he first visited and moved here. There is Marky, grinning cheekily, laying on her kitchen floor (painted red then) with her first Wolfhound under his head, wearing white t-shirt, jean shorts. There is RP in tweed jacket (so much hair then!) sitting at the desk in her old study, looking rather severe. She bursts into tears at it all, puts the photos away, and bends over the railings sobbing, actually talking out loud to him, telling how desperately much she misses him.

She pulls herself together and goes back downstairs. She makes a phone call to follow up on a work issue, only to discover a major, unfixable snafu. This snafu falls under her responsibility, though it is only her fault because she is not a mind reader. Nevertheless, she phones her boss’s office to apologize and explain. That done, she socializes more with kinky online friends, and after brushing one of her dogs and folding and ironing some laundry, she turns at last to NaNoWriMo.

Casey writes NaNoWriMo with one of those full-screen bare-bones word processors, called Q10. It takes her back to the days of DOS amber screen computing on her Apple IIc or Leading Edge Model D. She bangs out a little over a thousand words, making up yesterday’s deficit.

It is now 1:15PM. She puts her Clairefontaine notebook and Pelican Demonstrator fountain pen (with brown ink) into her bag with the rest of the stuff she needs and proceeds to depart the hip banlieu of Gotham where she resides. The subway is busy as is Gotham itself since the Yankees are holding their victory parade. She goes up to the Met, enters at the side to avoid crowds, pays her customary $1, checks her coat, and heads upstairs. The museum is packed to the rafters, as if half the Yankee parade-goers decided to hit the museum afterwards, making a day of their trip into town and hoping to compensate for taking their kid out of school by dragging them around a museum. Casey makes her way through the Egyptian wing to the Concerts & Lectures office, where she buys tickets to four concerts in the upcoming year. She then wanders up to the American galleries to see American Stories. It proves appealing, but she doesn’t have much time today, so she looks at a few paintings and makes a note to come back another time. She proceeds to the Zen garden in the Asian wing, where she sits for 20 minutes and adds more words to her NaNoWriMo wordcount, albeit longhand in her Clairefontaine notebook. Uncomfortable, she relocates to the Temple of Dendur for another 15 minute writing stint. After wandering by her favorite pieces in the Greek and Roman gallery, she retrieves her coat and walks through a dimming, cold afternoon, down the park, to the Carlyle Hotel.

Here she is to meet some friends from church, who have invited her to tea. Not seeing them, she sits in the lobby and adds another page to her NaNoWriMo wordcount. Finally, her party arrives, and they have a lavish, beautiful, and (for her) expensive tea for nearly three hours. They have already decided amongst themselves that they are treating her, and while she feels somewhat guilty about this, she accepts with thanks and does her bit by working out all the complicated calculations for them about how they’re going to split up this baroque bill.

She bids farewell to the Episcopalian ladies and walks down Madison and Park in the dark. She can feel a line across her bottom, where her camisole is tucked into her tights, like a tramline from a cane, but less painful. The beautiful, rich old buildings are more romantic without the midday work crowds. They make her feel like she’s part of the city, part of history, part of beautiful places. She takes the train home to hipsterville, walks the dogs, and turns to evening chores: emptying the dishwasher from the morning, putting away laundry, and buying a “bouquet” of cotton twigs (with cotton on them) to put in a vase. Casey rarely buys flowers, but the surprising cotton plants catch her fancy and appeal, perhaps, to the mood which has threaded through the afternoon. At last, it is time to change into what her sister-in-law tweely refers to as “comfies” and see what the internet has been getting up to.

After blogging about herself in a frankly narcissistic fashion, she will try to round out her word count for the day. Maybe she’ll try again to read the disturbing novel that has been set for her church reading group, but it is likely that Miss Lincoln will forbid this on the grounds that descriptions of torture are entirely unsuitable bedtime reading. And in this case, Miss Lincoln would be right. Torture scenarios are a hard limit for Casey Morgan. Reading about the fates of Christian missionaries in 1600′s Japan makes her queasy.

So that is it, a fairly busy “day off” in the life of Casey Morgan with a special treat in it by way of the tea date. Writing, work, church friends, kink, dogs, Gotham–these compartments do not appear to connect, but inside her they do. When she turns out the light, she will hold that silent but intimate conversation with the one who is always with her, and she will hug the little silk pillow, like she used to cuddle up to the one who is no longer with her. And so will end another day, another extension on this life, another gift perhaps, another mandate–but to what? For what? How long?

The only wisdom we can hope to acquire is the wisdom of humility. The motto of Peter Donne’s confessor when he entered the monastery, thirty-nine years old, hot-headed, clever, bereaved.

The Abbot at Lunsford had taken particular interest in him, as perhaps he ought, Peter being his nephew. He had persuaded Peter to come to Lunsford and then assigned him Barnabas for his confessor.

“He’s tried to harm himself,” the Abbot told Barnabas.

“With intent?”

“I fear.”

Barnabas intertwined his fingers and exhaled. “Will you permit the Norwich Discipline?”

The Abbot hesitated, a qualm for his nephew, but then nodded, recognizing what could be the only hope for his novice.

Days for Peter began an hour before anyone else rose. Barnabas woke him and supervised his milking of the cows. In that bleary-eyed hour, Barnabas exacted a kind of confession as he demanded an account of the night’s dreams. Confession and discernment of spirits, combined with milking—the ultimate monastic efficiency, Barnabas claimed.

“I saw her again,” Peter said one dark morning—his third month? thirteenth? what difference, really?

“Yes?”

“Her body warm and unclothed against me in our bed, soft, so alive…”

“Yes.”

“I knew she was dead, that this was a visit from beyond the grave, but her arms wrapped around me so…”

“Did you make love?”

“Not this time. But…I asked her to use her magic eyes, to… bring something good to me. ‘You can’t want me to live my whole long life without you and alone,’ I said.”

“And now?” Barnabas asked. “Mind the bucket!”

Milk sloshed across the dairy floor. Peter winced, knowing his confessor’s answer to inattention at milking.

“We’ll deal with that later,” Barnabas said dryly. “For now, finish, please. Your report, and your cow.”

“There was a later part, in the refectory here. I had just arrived, with the boys.”

“Your boys, or the boys you used to teach?”

“A blending, I think. I was worried over what they would eat and was bustling about trying to find them what they’d like. Then the Abbot reached over my shoulder and dropped two pieces of toast on my plate. They were hot, hot enough to melt the butter between them, and it was toast with the kind of bread she used to make, the best bread, the best toast.”

“Perfect toast.”

“Yes. And I wanted to blub because of the toast, and because of the fact that he’d been watching me all along, when I’d been busy with the boys, and he’d taken it upon himself to drop on my plate–no word, no fuss–the perfect toast.”

Barnabas nodded but said no more until later that morning–after Matins, after morning work, after Peter’s particular exercises–when Peter stood before him in the confessional cell, struggling as usual with the submission his confessor requested. Barnabas waited, as usual, without speaking, without removing the birch from its bucket until Peter had prepared himself. When the time came, he applied it with the force of radical mercy, until the fight left, and a bit beyond.

After saying the absolution and allowing the novice to rearrange himself, Barnabas fished a tin from his habit, an incongruous, luridly colored object containing ginger pastilles. He opened it and held it out to Peter Donne, who seemed to regard it as a sinister trap.

“Go on,” Barnabas said.

Sweets of all kinds were forbidden at Lunsford, and almost every other indulgence forbidden to Peter under the Norwich Discipline.

“No, thank you.”

“You’re afraid, aren’t you? Afraid of what will happen if you have it.”

Peter braced himself to deny it, but then shrugged.

“You aren’t the author of your life,” his confessor said.

“No,” Peter replied, as if he were only just realizing it.

“Someone else is writing your book.”

Peter frowned as if he had received crushing news.

“Someone who watches you. Someone who, unbeknownst to you, has taken time to prepare perfect toast, from perfect bread, and to drop it on your plate.”

The novice fell back to his knees, tears pouring suddenly from his eyes: “Please, Father, change me. Make me a man who no longer asks to have her back.”

Barnabas rested a hand on Peter’s head. “He is changing you. Your book is being written, even now.”

“And what does it say, this page?”

“This page?” Barnabas placed the open tin on the kneeler. “So I did sit, and eat.”

Note: Bookends will be suspended for the month of November due to NaNoWriMo, as explained here.

Read other folks writing this week:

• PapaTomLA

How did I know he loved me? I figured it from the second serious story he wrote for me, Jigsaw. I don’t believe I’ve ever shared this one; he said it was just for us. He wrote it before we met in person, sometime in July that summer. It imagined a school weekend, casey and mark with Mr. Penn, and it ended with the two of them putting the pieces together, working out that this was the real deal, life-mangling, life-restoring.

He was married. Jigsaw called the bluff on our ostensibly platonic friendship. My parents’ marriage had ended in divorce; I refused to be an Other Woman. I remember falling on my knees in my study, sobbing and imploring God to help, somehow. I was not religious at this point, so this impulse was as spontaneous as it was extraordinary. Here I was—here we were—being vivisected by this love, yet I did not want to help destroy anyone’s marriage. I had no idea what the near or distant future held, I only knew it was utterly insane to feel as though my entire existence—all 26 years of it—had been permanently rearranged by this Englishman I had never met face-to-face.

I remember the calm that came over me, not lessening the acute emotion, but muting it for a moment, and I remember the irrational certainty, like a rumbling in my stomach, that if I merely sat back and waited, doing nothing, all would be well, and all would be well, and all manner of means would be well…

Arrgh…again, not quite fiction. And a topic that deserves much more thorough dealing. Half-way through writing it, I wanted to delete it and start again. However, I have this…attitude?…philosophy? that once something starts to write itself, one really ought not to give up on it, or censure it. In a way, those are the rules. I’m not sure I would stick with them in all circumstances, but I did today. Forgive any flippancy this 250-word treatment suggests. And please, if you can, refrain from drawing conclusions about me. I was, at that time, astoundingly naive.

What is Flash Fiction Friday?
Read the other folks writing this week:

• Marie - welcome!
• Graham
• Rafi
• Mija - welcome also!!
• PapaTomLA

I’m reading Charles Williams for the first time, his Descent Into Hell. Williams (1886-1945) was editor of Oxford University Press and one of the Inklings. His prose is dense and hard-going, but frequently astonishing. He writes what Eliot called “supernatural thrillers” about characters in the modern world interacting with the divine.

I was slogging though it this week and gradually had my breath taken away by a most extraordinary scene in the chapter called “The Doctrine of Substituted Love.” The scene is a conversation between Stanhope (a great poet) and Pauline (a nearly agoraphobic young woman) on the sidelines of a play rehearsal. Stanhope is a quiet, self-effacing writer who knows about things like a goodness so powerful that it induces terror. This he has mentioned in passing to Pauline before. Here, he tries to get her to tell him what has been bothering her. Eventually, she spits it out: she sometimes sees her Doppelganger at a distance and is tormented by the fear that it will one day catch her up.

At the core of the scene, Stanhope offers to “carry her burden” for her, to be afraid for her, in her place. Pauline struggles to understand what he means. He explains:

“When you are alone,” he said, “remember that I am afraid instead of you, and that I have taken over every kind of worry.”

Pauline demurs, worrying that she will be pushing her burden on to other people.

“Not if you insist on making a universe for yourself,” he answered. “If you want to disobey and refuse the laws that are common to us all, if you want to live in pride and division and anger, you can. But if you will be part of the best of us, and live and laugh and be ashamed with us, then you must be content to be helped. You must give your burden up to someone else, and you must carry someone else’s burden.”

It is hard to write about this because Williams says it all so expertly, but I find this paragraph at once immensely satisfying, as if food, immensely relieving, and immensely hot. It gets at the deep communion I hear about in church. It gets at the notion that submitting to this communion is a natural order of the universe. Yes, we are free to refuse, to “live in pride and division and anger,” but this is to live unnaturally, in a state of sin.

Pauline wonders what will become of her self-respect if she leans on someone else in such a very great way.

He laughed at her with a tender mockery… “If you want to respect yourself, if to respect yourself you must go clean against the nature of things, if you must refuse the Omnipotence in order to respect yourself, though why you should want so extremely to respect yourself is more than I can guess, why, go on and respect.”

This, to me, encapsulates part of our modern dilemma, with our fixation on self-respect, self-determination, self-authorship, self-esteem, choice, independence, and so on—all excellent qualities, but when taken to excess, as I believe they often are, do they not lead us into the divided, un-natural condition which has made Pauline suffer? It sometimes seems counter-cultural to accept, indeed to submit to the idea that goodness involves sharing one another’s burdens, and further that this is no progressive modern concept, but in fact the ancient order of things which we have only temporarily forgotten in our contemporary egotism. And, to give over to it is not only to give over to each other, but to move into communion with something people have known for many centuries, many ages.

The mercy involved in this submission reveals itself as the scene continues:

She stood up. “I can’t imagine not being afraid,” she said.

“But you will not be,” he answered, also rising, certainty in his voice, “because you will leave all that to me. Will you please me by remembering that absolutely?”

“I am to remember,” she said, and almost broke into a little trembling laugh, “that you are being worried and terrified instead of me?”

“That I have taken it all over,” he said, “so there is nothing left for you.”

Oh, how I long to have someone again to carry my burden as I carry his; to take over my worrying for me; to bear my fear.

Stanhope tells Pauline:

“Ring me up to-night, say about nine, and tell me you are being obedient to the whole fixed nature of things.”

You can’t get any sexier or more spiritually authoritative than that, in my book. He is compelling her obedience, not by force, but through her free will. And her obedience to nature, to the great reality, will consist of relinquishing her fear into the care of another, who will faithfully feel it on her behalf.

I think that people who take part in tgi (in its several forms) understand this. TGI scenes are often dramatic enactments of this submission to one another, and to the truth of our human condition. This is why I don’t see any contradiction between my “kinky” practices and my quite orthodox religious practice. I see them in service of the same thing, the great reality, which has at its heart self-giving love.

Stanhope goes home and concentrates on Pauline’s fear:

“The body of his flesh received her alien terror, his mind carried the burden of her world. The burden was inevitably lighter for him than for her, for the rage of a personal resentment was lacking. He endured her sensitiveness but not her sin; the substitution there, if indeed there is a substitution, is hidden in the central mystery of Christendom which Christendom itself has never understood, nor can.”

Full text available on Google books.

He slept like a rock or a man that’s dead, it seemed. Her stomach clenched, a passing fancy, and she stretched her arm across to see that he was still breathing. His chest did, in fact, move. He wasn’t to die yet, though when he did, he would look the same as that twilight on their bed.

The Pervy Hour had past. He lay naked, the duvet twisted at his feet. She still wore a shirt. The room cold now, she pulled the covers over them, as much against the air as against her own eyes. What had seemed a part of them now felt incongruous, like Adam and Eve felt towards each other after eating the knowledge.

Was it part of their fallen inheritance that she should always feel naked after? She had no Puritan admonition against making love with her husband, but always, after – either quickly or some time later – a self-consciousness would come over her, turning their acts into something faintly repellent. Before the arrival of the observing mind, the relentless panopticon, she could love him with her body, as she had promised at the altar; but, that Eden always fled, like a fawn, before the cold gaze of reason.

He jerked awake with a sharp intake of breath and turned to her, resting his head on her chest, curling a knee across her, his arm encircling her as if to keep her from rising, then or ever. Life had been long, so long for both of them, before they finally found each other.

“You were late,” he would tease, “as usual.”

They had been together before, in the distant past. “Last time,” he said, “I think I was the girl.” Or was the last time when they had both been boys? It was hard to remember precisely. Once, visiting the chapel of his Public School, she had been possessed of an eerie familiarity, as if she were recalling long ago, before her childhood, as if the memory resided just behind her eyeballs, if only she could see it there.

Later, once he actually was dead, she would discover that Anglican belief did not include reincarnation as such. “What do you make of it, then?” she would ask her theologian curate. “We both thought we remembered the same thing.”

The theologian would touch his index fingers to his lips and look at the ceiling, silent for a spell. “I think,” he would reply, “that it was a kind of spiritual gift, a blanket of Grace, perhaps.”

The blanket of Grace was large enough to cover the two of them that twilight, to extend the unspeaking respite. Holding him and being held by him was like being able finally to breathe, like stepping down into fresh, thick air after a lifetime at altitude. They exchanged no words, but the way he held her fingers said more than conversation. They were thinking the same thoughts, the same thought, as it sometimes seemed they would dream the same dream, not separately in their own heads, but tandem, one mind.

Twilight gave way to evening. Soon the dog would need dinner. Soon the phone would ring, and the traffic would resume outside the window. Soon they would resume ordinary living, side by side. For this moment, though, his arm still around her, his heart still pumping against her side, his cheek warm on her chest, duvet covering them, for this moment they lingered, ignorant of everything except each other. She breathed, sinking against him, no words, no self-regarding. The quiet was part of the meaning, part of the mind.

Come read the other folks writing this week:

• Rafi – yay!
• Tom - yay!

The dreams don’t stop. Neither does the hope that he’ll be upstairs when I come in the door, that I’ll hear his footsteps clumping along the floorboards and down the spiral stairs. It will be such a relief, as it always is when he comes home. Like stepping into air conditioning from a brutal, New York summer.

People don’t talk about him as much as they used to. Everyone else seems to have repaired the colossal tear in the matrix that his disappearance caused. His job has been filled. It is no longer tasteful to think on him.

I cannot tell you… I cannot tell you—anything. I know…I know. Everyone has part of their life which is now in the past. I am no different from any single person still walking this planet. I don’t like the word unfair. But how come I have to keep living when he didn’t?

The card I gave him on our last anniversary is still in the bedside drawer that used to be his, its message a kind of steganography:

xoxoxo me

h&l&nt & tc4mh, l&h ohbb uhc, h-h, & ont4cdm b/c sagg.

I asked him if he understood, and he read the whole thing confidently aloud: hugs and love and nice things, and the cane for marky, long and hard on his bare bottom, ha-ha, and only nice things for casey because she’s a good girl.

There is no one to talk to this way anymore. Even the dogs don’t get it.

God, help me.

This really was a bumper crop for 3F. Don’t know if it is fall industriousness or the thrill of a hard challenge, but these writers deserve a big hand (won’t say what kind or where) or at the very least nice comments on their blogs. Read on, Macduff!

• Rafi
• Sandy
• Abby
• Nettagyrl
• PapaTomLA

It’s been a grueling week. First, a close colleague of M’s died suddenly and young, like M did. Same church, same requiem mass, even the same weather. So, last Friday I re-lived my husband’s funeral.

Then, my family came to town for my birthday. I love them. I’m hugely grateful for them and for the way they show up for me. But it all just made me want M and miss him even more. I have so many wonderful friends and kind, loving people in my life, yet I don’t feel any more attached to life than I did a year ago, for the most part.

The sermon on my birthday spoke of many things, but the one that struck me was the Rector’s exegesis on Take up your cross and follow me. Crucifixion is no longer a form of capital punishment, he declared. So what, he asked, is this cross? His answer: the cross is this mortal flesh, this mortal life. We are none of us getting out of this world alive, he said. And yet we are tasked with taking up this mortal life and living it, fully, faithfully, despite every attendant suffering. I want to do that. I want to be capable of doing that. I am always comforted and somehow excited—is that the word?—by the emphasis, at least at my church, that this life we are given is fundamentally and indispensably physical. We are not designed as ethereal, purely spiritual or purely mental beings. (Natty wrote a moving and theologically astute post about this a while back.) So on my forty-first birthday, I heard this instruction: take up your cross, your humanity, your mortality, your body, your sexuality, and your broken, empty, amputated heart, take it all up and follow me. I have ears to hear, at least.

In other news, my father was in a reminiscing mood, and for part of the weekend I was treated to stories of his wild 1950s boarding school days, when he would go with his roommate—Holden-Caulfield-like—down to Greenwich Village on the weekends, stay out all night hearing Beat poets and jazz singers, then repair back to the roommate’s family home in New England to sleep it off before returning to the dorm Sunday night. Needless to say, folks back in the industrial Midwest had no clue about his exploits, nor could they have understood them, probably.

Then today I hear from my brother that Dad had been reminiscing an entirely different chapter to my sister. This chapter plainly titillated and appalled the siblings, the gist of it being that my maternal grandmother apparently gave herself daily enemas for most of her adult life. The revelation that prim-and-proper grandma was perhaps a closet klismaphiliac caused quite a stir amongst my un-kinky sibs. I asked, bulb or bag? Bro didn’t really know the difference. They looked things up on the internet. I’m thinking, Yeah, I know that site but there are better ones I’d recommend…

And if that wasn’t enough, apparently grandma also gave enemas to her children (ahem, our mom) at times, and our late aunt was supposed to have done some paintings on the subject, including one of grandma self-administering. I’m thinking, Where the hell are these paintings?! but I say, That might be too much information, lucky they’re lost. Sis informs us that the DSM has Things To Say about giving children enemas. It can be a form of sexual abuse, she says. Anal violation. One track of my 8-track mind is thinking, Anal violation? Yes, please! Track 2 is thinking: What a big fucking deal social workers make of a simple home remedy. Track 3: Oh, bless grandma. That’s where I get it from. Track 4: You guys had better not look too far into the bathroom cupboards upstairs. Track 5: Maybe the DSM is right because it’s fucking hot. Track 6: Oh, but it can also be very calming, I can attest. Track 7: Have either of you ever had anything in your ass? Track 8: You really do not know me at all, do you?

My interest in That Thing was adult onset. It was not employed in our house, except once (not to me) on doctor’s orders. I had scarcely heard of it in those years when my mind was glomming onto spanking and then to English schoolboys getting the cane. I must have been corrupted when I found the internet; on second thought, I think it could have been Anne Rice’s Beauty series. I believe that series is also what introduced me to the idea of anal play generally. I’m glad she didn’t return to the church before she finished writing those. Not—NB!—that a return to the church should necessarily preclude writing such awesome erotica, but in her case, I think it probably would have.

I am dying to know more about my grandmother. How did she self-administer That Thing? Was it really every day? Why? Did she enjoy it? How much did she take? What started her out? Unfortunately, I think it would be way too embarrassing for me to ask either of my parents for elaboration. I do know from my grandmother’s diaries (which I possess) that she had a very sensitive digestion and often had trouble eating. If she was having That Thing daily, though, I’m not surprised. That can’t be good for you. I do wonder if there is a genetic component, though. I am positive that there is one for spanking. Anyway, amazing what you can hear if you listen when family are feeling loquacious.