But here’s the thing: no matter how much you love them, at a certain point it’s healthy and right that you grow up and start your own life. You don’t leave them behind, but to some extent you escape that first family. I had done this. It took a long time for M to get me to see that we had a new family now. The parts of the old that weren’t so great—these we didn’t have to have. We could make our own traditions. Yes, we’d still put my childhood ornaments on the Christmas tree, but now on Christmas eve, he’d make mince pies and we’d listen to his Britpop Christmas CD. And yes, my parents will always be my parents and I love them, but in a way, I didn’t have to be that child anymore. RP was looking after Casey, so the old life was past, and the new, better, realer life was here. And I could love my sister and mother and all the rest, but with his help, I could take them with the right amount of salt, and when it was time to leave, we went home to our house that we had our way, to our dogs, to our bed, and to all the secret love we had together. At our wedding, we’d given ourselves to each other in Christ, and now this was my strongest bond. This was the new family, the new life. I wasn’t living in my childhood house any more.

Today I had Christmas brunch at my apartment for my mother, my sister, and my sister’s childhood friend. My mom had unexpectedly been staying with me since Thursday due to a minor medical emergency. Her difficult dogs had been in my way, frazzling my nerves, keeping me awake, and increasing my workload. I am coming down with a cold due to lack of sleep. We all had a fine time, I guess, but by evening, I really wanted everyone to go home. I had had visitors for 3 weeks and needed to spend some quality time with my dogs and do the zillion things I had to do to get ready for my UK trip tomorrow.

Except no one was going home. My sister and her friend were lying on my bed watching agitating videos on their phones. My mom was feeling weak and had gone upstairs to nap. It had become clear that she and her dogs were staying another night. I took my dogs around the block.

On a quiet, dark side-street, I leaned over someone’s wall, buried my head in my arms, and started to cry. I felt trapped by this family—a family I love but want to escape. I wanted my own family, with M, the one I thought I had, and I wanted the kids we were trying to have, the twins. I wanted it to be Christmas in the new life, with him and our children, and our dogs, and Casey and Mark and all the others. I wanted us to be able to come home from being with my mother and sister, but instead, my house was invaded by this old family. And no matter how much I love them, it just feels wrong in a way for them to be so much in my house and life—the house and life I should have with M.  My mom and sister think it would be fine, in the absence of a husband, to have a turkey-baster baby and bring it up all together in kibbutz. I feel physically nauseated by this idea. It is simply incestuous. But lacking a family of my own, now, I can’t seem to get them out of my hair.

It would be one thing to be a life-long single woman. But to have got used to the new family, and now be back with the old… I know it’s colossally ungrateful to say this, but it feels like getting rescued from the orphanage and then having to go back.  But I’m emotional, and I don’t really feel well.

There’s a blizzard headed into town when my flight to Englandland is due to leave tomorrow. My house sitting and dog sitting arrangements have grown inordinately complicated and unsatisfactory. My mom isn’t well and who knows when she’ll be better, or how much help she’ll need, especially with her horrible dogs. I am thinking this trip was a terrible idea. I should stay home, quit trying to make it happen, just take care of my mom and my dogs, and get some work done over the school break. It was selfish and stupid to try to make it happen. And kids in orphanages don’t get to go to parties.

I know I’m not being very rational. Things usually look better in the morning. I’m not a cynic about Christmas. I love Christ. And I’m so grateful for everything I have, and all the friends and family who love me. Still, I can’t say I’ve enjoyed today, except the part about turning out the light at the end.

Reality, I’ve never been caned anywhere except the bottom, and I consider this a hard limit. But Stalky was such a formative influence for me (detailed exegesis here); it obsessed me from the age of sixteen into my mid-twenties. It is responsible in large part for transporting my childhood tgi (orphanage & prairie focused) into my young adult tgi (English Public School focused). All the other English school literature that I read–and I have read pretty much all of it–I discovered after or through Stalky. For instance, when I was seventeen, I spent hours at the 42nd Street Library reading ancient copies of Dean Farrar (Eric, or Little by Little and St. Winifred’s, or the World of School) because the characters in Stalky mocked him so scathingly. Despite the eccentric (and to me entirely perplexing) fact that the Head in Stalky “licks across the shoulders,” I responded strongly to those scenes of punishment because of the relationship between the Head and the boys. The whackings, like all the stories, are under-written and vibrate with human tension and understanding. Because of Kipling’s obliqueness and the nearly incomprehensible world of the English Public School (to a teenage American girl pre Harry Potter), I found myself trapped in a kind of tractor beam with Stalky, utterly fascinated and attracted, yet grasping at meaning. I couldn’t, for example, understand how a person could be caned across the shoulders (or that this arose from the school’s military background) — wouldn’t you break a collarbone or something? I wondered. I had not yet encountered the species of light, whippy cane that could accomplish this task and yet leave Kipling’s heroes in once scene “within an inch of blubbing.” Generally, I pretended to myself that the Head was dispensing normal canings and left it at that. He wasn’t, though. And in my dream recently, I (my schoolboy avatar) was receiving just such a USC licking across the shoulders. It was all hot sting, no thud, rather like an intense and stripey sunburn. I’m sure that must be exactly what it feels like, lol.

And if this dream were not enough, last night I dreamed I was playing a school-like scene with John Cleese in academic gown. I was wearing blue-jean overalls, the kind I gave to Marky that first December we spent together fifteen years ago. (It was such a good December, and even though we had to spend Christmas apart, life carried so much goodness and hope then. Emotions ran high, low, and every complexity in between, but it was like eating and breathing for the first time, not having realized before that I was missing anything… turn back, o time…)

So there I was, and John Cleese was telling me to bend over. I gasped at the first stroke, more from surprise than pain. He carried on briskly, and while I felt them, they weren’t unbearable. I kept still and quiet, which I sensed was frustrating him. But seriously, I thought, does he expect me to howl the place down when he’s whacking at perhaps medium strength, over jeans and pants, and I’m not exactly a fainting beginner?

You can tell I was dreaming because in reality it’s been so many years since I’ve felt the cane that I might as well never have had it. Why caning dreams, though? I never dream of these things any more.

Yesterday while getting physical therapy on my elbow, I lay on a cot gazing out the darkened windows, thinking. Here I was in this dark, wintry, modern world, going about my affairs, while my characters waited for me in their English summer of 1926. My schoolboy protagonist, in particular, waited for me  to take him through whatever this fire was that he faced, to make him into the person he yearned to be. I thought of him in my dark, Gotham evening, but did he also sense me somehow from within that world where I long to be?

It isn’t just my characters that I carry around inside myself this way. There is M, and Marky, RP and all the others. I can feel them, too. Where are they? Where are they all?

The Comet

For years and years—into my 20′s—when I would get scared or very unhappy, I would summon to mind Boblo Island to soothe myself. I got into a habit in my 20′s of staying up far too late at night and subsequently freaking myself out with fear of ghosts. When this happened, I’d think: Boblo. Boblo! and I could avert a panic attack. I haven’t called upon the Boblo talisman in years, though; I don’t think it holds sway any more.

The other day, while I was kicking around the corridors of bereaved quasi-madness, the dogs informed me that regardless of my mental, spiritual, or emotional state, they still required their evening walk. Teary-eyed, I leashed them up and we went round the block.

I felt fragile, hung-over from crying, and not entirely in control. My mind ranged to friends I could call, but found none that seemed appropriate at that moment. Then my mind embarked on a fantasy involving some friends I visited this summer. It’s weird to fantasize about your friends; it’s the kind of thing you don’t confess out loud. You wouldn’t want your friends to think you were obsessed with them, or unattractively unstable, or clingy-needy-gross. But I suspect a lot of us do this secretly.

As my dogs were sniffing their way around the block, I was imagining going to the cottage where I had visited these friends of mine. It was cold and rainy around the block, and it would be cold and rainy at the cottage, too. My friends, the couple who owned the cottage, would welcome me, in my ragged, teary, distraught state. She would enfold me somehow and speak to me soothingly and incomprehensibly in Irish, and then make me sit in front of the turf fire while she prepared something for me to drink. He would secure the cottage and assure me that everything was quite safe, that nothing bad was going to happen there, and he would fetch me a dog to pet and cuddle. The two of them would sit with me and not say very much, although she would periodically come out with an unexpected, impulsive remark that would make me cry because it was so shiningly true. They would treat me half as their child and half as their friend. The rain would blow against the window panes, and the dog would be damp, and I would be safe and soothed and understood, and uncrowded there in the cottage with my friends who were in some ways so close, and yet distant enough that I could be entirely myself with them.

That is the kind of secret Boblo Island that comes to me now, when I am 41 years old and so very grown up, and don’t know what I am doing in the world.

As a child, and still now, I found anger difficult. Lots of people are like this. Anger is Bad. Good people do not get angry. Anger is a destructive force–axioms of my personality. M and Mr. Prior did a lot of work over the years trying to rewrite some of the axioms, for instance trying to redefine Good as meaning honest & true, rather than Polite & Well-behaved. This is probably a long, boring topic for you, but the point is that my musculature is overdeveloped from holding in anger and other unpleasant emotions for most of my life. M did a lot to release this. The release normally took the form of tears.

This weekend I am in the industrial midwest, having travelled here with my brother and sister for my father’s 70th birthday. I’m the eldest and closest to my father, in contrast to my sister, who seems to have almost an allergic reaction to him. He’s a nice guy, a decent guy, an honest, hardworking guy. He’s also a workaholic, hard to connect deeply with, and prone to emotional tonedeafness. As a teenager and young adult, I felt a lot of anger towards him for having left my mom and thus destroyed our family. I’ve since forgiven him, and I feel a lot of compassion for him. Nevertheless, his behavior is sometimes very tiresome, and I have had a lot of it over the last two days, combined with trying to take care of his vulnerabilities while also taking care of my sister so she doesn’t go into emotional anaphylactic shock. Such is the way with family.

Last night I dreamed we were all together (my dad, stepmother, bro & sis) and my dad was talking. All of a sudden I said: “Fuck you, Dad. Just fuck you.” I continued with a string of angry f-expletives. He snapped and ordered me to go to the other room, just like I was little and he was ordering me to my room. I stomped off, part angry, part nervous of suddenly being in trouble. In the other room, I realized Casey was “in”. I think her shoes were even on my feet, and I was kicking stuff like she does, or wants to do, when she’s angry. I’m a little vague on what happened next in the dream when my dad came in to talk to us / tell us off. I think it was a combination of adult-me apologizing and explaining my frustrations, and Casey-me kicking in anger and shouting more provocative things.

I woke up from this dream and thought: I must be angry with him, who knew? But I kept thinking about the dream—you know how sometimes dreams keep drawing you back to think about them, as if they contain some kind of addictive substance? And what drew me back to the dream was the experience of Casey. I longed, and still long to be able to be back in her. Casey was frequently angry. Casey was allowed to be angry. Casey was allowed to scowl, to stomp around, to shout grouchy things, to make outrageous claims, to hyperbolize without rational tempering. M had a portmanteau for Casey’s go-to mood, which was glumpy (glum + grumpy). And Mr. Prior, the only person I have ever encountered in my life like this, he could deal with Casey’s feelings. He could take her anger. He knew when her misbehavior was anger, when her glumpiness was anger, when her sadness was anger, and when her anger was sadness. He allowed all of it, and he loved her so intensely when she was Bad, when she was out-of-control, when she was angry. He wasn’t afraid of it or her.

I think most tops, when faced with a scowling, sad-angry-provocative Casey Morgan, would conclude that she needing whacking and that I was indeed asking for whacking via “playing” her. It wasn’t like that. And he understood that. All those years of playing—if it can even be called playing—opened up huge wings inside the mansion of my personality, until they were more or less integrated, at least around him. But when he died, there was no longer anyone who could see Casey—See (deal with) her or see (perceive) her. I have to be a grown up all the time now, except when I am by myself. When M was alive, I sometimes found it a trial to have to be a grownup all day long at work. Now I’ve been grownup for 26 months straight. Now she mostly comes out in dreams.

I cannot tell you how much I want M right now, how much I want him every second, but especially right now. The last time I was here at my dad’s with him, we were looking through the famous & voluminous family photo albums. My father loved taking pictures when we were little, and you were often having to put on nice clothes and smile during photo shoots. I’d always loved these photo albums, but M saw them with different eyes. I remember him poring over some pages of me when I was two or three. I thought I looked happy (I was smiling), but he drew my attention to the eyes. Look how sad they are, he said. He pointed out  a lot of things in these pictures. I don’t enjoy looking at them anymore. The myth of the happy pictures was shattered for me. Don’t get the idea that there was Abuse in my childhood. There wasn’t. We’re talking ordinary life unhappiness that just didn’t have a legitimate channel for expression before I met him. Or so it seems.

If he was here right now, he’d hold Casey tight and call her by the pet names he had for her that said she was special and his and entirely safe and loved in his arms, no matter how she behaved. Once he called his real kid by one of those names and she got so jealous it wasn’t even true.

I’m sorry for complaining so much. I have an unbelievable amount to be grateful for. But Casey says being alive is unbearable. She’s a kid, so everything is exaggerated. Still…

by Michael Appleton

It is a beautiful photograph so redolent with masculinity that I feel I could resurrect an old-fashioned activity and swoon. You can smell the room, right? That gentlemen’s store smell.

When I was little, my father would take me with him on his Saturday morning errands: the dry cleaners, the tailor, the market, etc. We’d always stop at a certain men’s clothing store. It didn’t make bespoke suits, like the shop pictured above, but it did smell of men’s clothing. There was a long shoehorn I used to play with, a contraption that produced a flame for your cigarette or cigar, and some butterscotch hard candies. I don’t know what my father did at this shop every week; I think he just went to check stuff out and to talk to the men who ran it.

But the store in the picture: you wouldn’t go there merely to browse. In fact, the picture looks less like a store than like the corner of a man’s dressing room. I look at the dressing gown, the shirt, the jacket, and I think of the man who would wear them, how he would look in them, and how his body would look underneath them, when he took them off, or when I took them off him. I can smell his shaving foam: Taylor’s of Old Bond Street. I can see the jacket on him, or being taken off and hung over a study chair. I imagine his cuff links, being threaded through the cuffs, or unfastened to roll sleeves up to the elbow. I can feel the heat of his body through the dressing gown, his hardness when engaged in a kiss. The man who wears these clothes is a man who understands something essential about what it means to be masculine, and that something does not involve track suits or tattoos or vegetarianism or a lack of grooming, any more than it involves emotional illiteracy, sports obsession, extreme skepticism, or compulsive topping. I can’t find the words to describe the potent masculinity in this picture, but I am drawn to it inexorably, as the feminine has always been drawn to the masculine ever since opposites began to attract.

Yet, my kind of feminine does not possess a waspish waist, stiletto heels, makeup, or a flirty little personality. Mine rides a bike to church and there changes into stockings and a skirt knee-length or lower. Mine wears tomboy shorts in the garden, or gray flannel when summoned to a certain type of study. Mine can surrender to love while seeking surrender in return. It can work a Melita drill, cook pizza from scratch, scuba dive to 170 feet, make algebra lucid, or deal with children who suddenly start to cry. It isn’t a Victoria’s Secret catalog, but it craves this.

by Michael Appleton

English flannel with Twist? Yes. Please.

]]> http://www.caseymorgan.org/2010/06/masculinity/feed/ 4 http://www.caseymorgan.org/2010/02/the-schoolhouse/ http://www.caseymorgan.org/2010/02/the-schoolhouse/#comments Wed, 03 Feb 2010 19:43:23 +0000 cdm http://www.caseymorgan.org/?p=1624 The American Schoolhouse—ah, where to start? Luckily, Graham already has started us off along these delectable lines, noting, among other things, that the one-room schoolhouse of American lore was in some respects gender-neutral. Men and women whacked boys and girls, usually in full view of all (due to constraints of the one room).

Graham mentioned two key examples: Tom Sawyer (in its several forms and adaptations) and Little House on the Prairie (books, but especially the TV series). Little House fashioned the imagination of many, including yours truly, and continues to fashion young minds today if reports out of the Kinky House are to be believed.

illustration by Mercer Mayer

I’d offer a couple more: The Great Brain, in which the title character gets paddled for something he didn’t do, memorably drawn by Mercer Mayer and less memorably portrayed by Jimmy Osmond in the 1978 tv movie (if anyone has a link to this video, please speak up, as I can’t find the scene in the parts of the film uploaded to u-tubby). This paddling is a great scene, even though I personally dislike the paddle as an implement (I find it rather brutish and blunt; unsubtle). It’s enjoyable because a) the victim, Tom, is such an insufferable manipulator most of the time, I don’t mind seeing him whacked unfairly; b) Tom is brave, refusing to give his tormentor, Mr. Standish, the satisfaction of seeing him cry. As narrated by Tom’s brother:

I felt tears come into my eyes as I watched Mr. Standish give Tom ten hard whacks with the paddle. The tears weren’t for the pain I knew Tom was suffering. I knew my brother could stand pain like an Indian without crying. The tears were for the humiliation I knew Tom was enduring (The Great Brain, 121).

c) Tom gets revenge on Mr. Standish, which appealed to me as a young reader, the rebel against unjust authority. But, d) ultimately Tom’s revenge is revealed as cruel and callous, earning a terrific rebuke from Tom’s father:

“I have never laid a hand on you,” Papa said, breathing heavily, “but right at this moment if I had that paddle, I’m afraid I would give you a paddling that would make the one you got from Mr. Standish seem like patty-cakes” (136-7).

I was absorbed for some time in imagining that if-statement.

From the children’s book shelves we find If You Lived in Colonial Times ¹ by Ann McGovern. I would direct the reader to page 24 “What happened if you didn’t behave in school.”

I was lucky enough once to get a first-hand encounter with the one-room schoolhouse. I grew up within field-trip distance of the Henry Ford Museum / Greenfield Village, which is a gigantic outdoor museum of bygone American life. People are dressed in 19th century garb, and you can make butter like they did back in the day, see men forge horse shoes, etc. There is also a one-room schoolhouse, the Scotch Settlement School. When I was in fourth grade (age 9) my class got to spend a day in it.

At that age I was in a mixed 4th and 5th grade class of about 30 kids taught by a husband/wife team. I’ll call them Mr. & Mrs. Sweet because we all adored them. They were perfectly firm and took no nonsense, but they valued fun and unconventional methods. We got to go on more field trips than any of the other classes; they’d give us long recesses when we got cagey in the winter; they kept all sorts of live animals in the room; they’d tear up your math book and skip you ahead if they thought you could handle it; they read aloud to us regularly; and they had a carpeted claw-foot bathtub, shaded by a rainbow umbrella, where you could go and read books when you’d finished your assignments.

Mr. and Mrs. Sweet also had a paddle on the wall of their classroom. This disconcerted me. As previously discussed, corporal punishment was not used at my school (although it was legal in the state), but most of us got it at home. I just didn’t know how to feel about the fact that my favorite teachers kept a paddle on the wall, and, worse, would jocularly (?) threaten kids with it from time to time. (e.g. kid getting wild would be asked sternly: Do you want a spankin’? To which the only answer was a fervent shaking of the head no.) What’s more, this paddle was covered in signatures, supposedly the signatures of those who’d been whacked with it.  The subject was far too serious for me, at age 9, to have any perspective on the Sweets’ possible tongue-in-cheek threats.

Scotch Settlement School Greenfield Village

Still with me? Right, the schoolhouse: it is winter of fourth grade and we are going to spend a day having school at Greenfield Village. We will have free dress (no uniforms), and period costumes are encouraged. Costumes!?! I wore one of my Little House on the Prairie outfits, and even better, all the other kids made an effort, and Mr. & Mrs. Sweet were wearing costumes, too! OMG!!!!!!

All morning we sat at double desks, wrote on slates, did lessons out the McGuffey Reader, and got to sample the full range of old-fashioned responses to incorrect answers and misbehavior: writing lines on the blackboard, the dunce cap, holding books out in front of you, and—yes—whipping! This is where I got a little confused about how real it all was. Mr. and Mrs. Sweet, with the deep thespian instinct of all good teachers, introduced the punishments one by one, beginning with the mildest, and working up to the whipping. They looked for victims, choosing the typically naughty kids in the class, robust kids, kids who would play along. When it came time for the first whipping, Mr. Sweet put on his gravest scowl, selected a long switch from the supply, and wordlessly beckoned the naughty boy to follow him. They exited behind the blackboard wall.

The Scotch Settlement School at Greenfield Village

[When you entered the schoolhouse, there was a row of pegs for hanging your cloaks, and on each side a doorway leading to the schoolroom itself. It was to this "cloakroom" that Mr. Sweet & boy repaired.]

A hush fell over the class and then we heard it: the unmistakable sounds of a switch being applied. Thwick… thwick… “Ow!” the boy cried out plaintively. Thwick-ow! Thwick-ow!! Thwick-thwick-thwick! Sobs.

Can you imagine my uncertainty and fear?

great pic of the hooks by Devonhaupt

Soon Mr. Sweet emerged, conducting the boy by the collar. The class found this risible, but Mr. Sweet merely glared at us and deposited the boy into the corner, where he continued wiping his eyes. The twitters in the class probably communicated to Mr. and Mrs. Sweet that we were with them, but also possibly that not all of us were sure how real the performance was. I, for one, was starting to feel sick to my stomach. My seatmate, Frances (the best friend of my friend) assured me it was just pretend. But wasn’t the boy crying? I asked. His face was red. Frances wasn’t sure.

It wasn’t long before Mrs. Sweet had to whip someone. They, too, were taken off to the cloakroom and subjected to the same painful treatment. They, too, emerged rubbing their eyes. This was quickly becoming a very anxious field trip for me. I wondered when we’d get to go visit the crafts people, or have recess. As the morning wore on and more punishments were meted out, kids started to vie with one another to get punished, eager for the excitement and attention. Everyone was getting it, bad kids, good kids. You didn’t even have to misbehave for the Sweets to find a reason to include you in the drama. Frances told me not to worry; it wouldn’t be bad if I got in trouble. But I was worrying, and worrying all the more because the Sweets were running out of victims. The majority of the class had got in some kind of trouble or another. I sat very quietly at my desk and worked very hard on my slate.

The whipping reached a climax with the execution of a girl called Beth, who was generally well-behaved and a great favorite of Mr. Sweet. He summoned her to the cloakroom with thespian gravitas, we heard the requisite sounds, but when they emerged, she had her hands over her face—to conceal her passionate tears? or… was it to conceal her laughter? For Mr. Sweet was holding a broken switch aloft for the whole class to see. He wore an expression of disgust and shock, that this girl had been so very bad that she had actually broken the switch! The schoolroom exploded in laughter. If there had been a curtain, it would have fallen.

It was probably then that I began to cotton on, but unfortunately, it was time for recess, lunch, and touring the rest of Greenfield Village. Beth, who was a trustworthy friend, later revealed the stagecraft (whacking the coats, with the kids crying out).

I can’t tell you how much I would like to have a second chance at that day. Or how much I’d like to take some of my former students on such a field trip. Or even, how much I’d like to try it on with various friends who could be relied upon to rustle up authentic costumes, and swot up authentic practices. Wonder what it would take to book a field trip there today…

Norman Rockwell's classic illustration for Tom Sawyer

¹ This book is the antecedent for an in-joke M and I had. Once when we were staying at an all-inclusive resort in Jamaica, I accidentally got smashed before lunchtime on Brandy Alexanders. We retired to our room where I (uncharacteristically) took off all my clothes, sprawled across the bed, and (reportedly) said: Tell me about the colonial days! before passing out. M teased me with this thereafter whenever a drink started to go to my head. Other people took it as an amusing, drunken remark, but he and I knew I had been asking him to tell me about birching of school children in the American colonies. lol.

A notable exception was Mandy, by Julie Edwards (Julie Andrews). Mandy imprisoned my imagination and my heart, but on some level made me uneasy, perhaps because it was in fact closer to me than the hostile authority orphanage. Mandy is about an orphan (named Mandy!) who has lived her whole life in a small, kind, homey orphanage. She’s allowed freedoms, has friends, and is beloved by the orphanage matron. But, she longs irrationally for something else. She climbs over the orphanage wall, finds a cottage in the woods, and secretly begins fixing it up. Long story short, in a moment of crisis, she is rescued by the landowner on whose property the cottage stands (a man on a horse, no less) and taken to recover at his big house. The man and his wife (?) fall for her. Then she gets better and goes back to the orphanage. Except now, even though she’s back with her friends and people who love her, she misses the man and his wife. It’s enormously conflicted and sad. Eventually, they adopt her. Mandy pressed somehow on a loneliness I felt as a child, even though I was growing up within a loving, caring family. In many ways, I was unable to deal with this feeling. The hostile orphanage was easier.

My orphanage (which I imagined most nights while falling asleep, which I attempted to draw in my notebooks) was called St. Peter’s. It was a special admissions type place. I (my character, whose name varied) was brought there one dark, rainy night by a priest of slight acquaintance. My mother had been an actress (the real kind, not an “actress”) but had died and left me alone, à la Tatum O’Neal in Paper Moon. This priest had presided over the funeral and out of pity brought me to St. Peter’s, knowing of its sterling reputation. I was about nine.

This orphanage was run by a grossly exaggerated and fictionalized version of Mrs. R, my children’s theater director, with the other children as avatars of my children’s theater friends. And in fact the children at this orphanage were chosen for their talents, and Matron made money taking us around and having us perform for people. So, even though we lived a horrible, hard life and had to scrub floors and do every kind of difficult chore and were subject to the meanest discipline, after dinner every night we were sent to the dining room and told to get on with our rehearsals. We kids organized our own shows and practiced them together. Sure, there might be rivalries amongst us, but we were absolutely united against the orphanage authorities: Matron; her scary (and retarded) brother, Jack; and the other people in her employ, who could also punish us as they chose.

There was of course a Bench at the orphanage, but you could be whacked at any time for any reason. We comforted each other in our misery and always—always—had our minds on the future when we would Run Away. Of course we would fail many times, and be severely punished for our efforts, but one day, my cadre and I would make it. We would escape, and after a period of thrilling, Faginesque adventures in The City (which would naturally include theatricals), I would happen upon the Perfect People, who would adopt me.

The promise of the Perfect People was essential, but my fantasies rarely left the orphanage. Something about the harshness and despair, coupled with the camaraderie and resistance comforted me. The dynamic with authority was important. You couldn’t win against Matron, not openly, so your only option was to resist her internally, to obey her, but not in your heart, to pretend compliance while secretly plotting your escape. The hostile authority was intoxicating for a Good Girl like me, naturally. As a Good Girl, I depended slavishly on the good opinion of the authority, unless of course the authority was a Bad Authority. Then, I could resist it, disobey it, undermine it, hate it. No wonder the orphanage was like crack to me. There I could transgress, break bounds, get into trouble and still be heroic and good. There, punishment was a badge of nobility. The heroine always suffered punishment, and yet she was always good. Win, win and win!

Perhaps you are feeling like you might be sick now. I am, too. But the interesting point is what happened once I actually began to play at age 26.

When I first started to play, APD, I wanted to be in the English school world. It was a nice blend of hostile, but not fully hostile authority. I would call it detached authority. Ideally, they were fair and not abusive, but stoicism was certainly called for. I enjoyed exploring the extent of my stoicism, and I felt a particular buzz because I had, for so much of my life, been so very fearful, particularly of physical challenges.

But—but. M’s instinct with Casey tended towards the domestic, and towards the firm and compassionate end of semi-con play. We imagined the orphanage together, but we never played it, at least not with me as the bottom. Actually, we played Casey at the Perfect People once or twice, and that “Casey” turned out not to be much fun; she was so traumatized, she scarcely spoke. She wasn’t very robust. So, whether through observation or instinct, M realized, I think, that although I had come out of the orphanage, it would not be a good place for me to visit, now.

We did one scene early in our relationship with him as a hostile top. It taught us a lot, not least because it was such a disaster. But that is another story…

Playing with yourself is hard, as previously discussed here and here (among other places), and it is most unsatisfactory for exercising anything but your imagination (and even then only a fraction of it); but, playing with myself is what I have been doing for the last twenty months.

Mostly this takes the form of conversations between TL and Casey, or me and Casey. Sometimes Casey turns up around other people, though she is pretty careful only to show her face around people who won’t recognize her. Once, for instance, we were going around a part of a wildlife park where you could pet the smaller animals. We were with a younger relative, and Casey was “in” 100%. There was one part where there were mice and squirrels nesting inside socks. Casey started literally to jump up and down: Socks! They sleep in socks!! Younger Relative was also experiencing cute-overload, though he was a bit more stiff upper lip about it. At one point he said, Oh, it’s your inner child. I said, That is exactly who it is! Unfortunately, I couldn’t introduce him to Casey just then, lol.

As a child (APD) I played with my dolls a lot, when I wasn’t at rehearsal for children’s theater. My brother and I were close in age and played together, but he was in many ways an unsatisfactory playmate. He was terrifically stubborn (a necessary defense, probably, against my bossiness) and although he could be made to go along with my schemes, he rarely seemed to make anything up himself. Also, he was a musical prodigy so from a young age spent hours in solitary practice of his instrument. So, I played with my dolls. Sometimes, now, it feels like the same thing. The only difference (besides the lack of dolls) is that I know now what real playing is, with a real playmate who will invent with you and move the play along and surprise you and blow your mind. I know enough to miss it.

M used to play all the time, in every way, not simply roleplay or tgi. It’s hard to convey, or even to think of an example. The plastic seedling trays were labeled by him. The onions say, for instance, unyons. Maybe you had to be there.

Last summer I went back to Englandland for the first time, and I met a couple of people whom I described to my mother as “blogging acquaintances.” Friend 1 took me out to lunch and then wandered with me through the streets of Eton. I had not wandered around Eton since I was eighteen, but it hadn’t changed much. We walked and talked, and then it started, inconspicuously. Watching a begowned teacher walking down the street carrying books, we caught our breath. “Except,” she said, “he should be carrying something else.”

Imagine a giant permission slip.

And so it continued, casually, as asides to the regular conversation: “Oh, I’d like to report to his study after games.” or, apropos of some boys in sports kit bending over to pick up gear, “Oh, you can stay just as you are, thank you.” You have probably done this kind of thing  yourself.

I think I might have burbled a bit to dear Friend 1. Simply talking this way was like being awakened from a kind of winter’s sleep. I hadn’t realized until just then how very much I missed it.

Fast forward to a couple of weeks ago when I found myself g-chatting with Friend 2. We both type as fast as we talk, so the conversations tend to be dizzying, but at one point she said something about us going back to Switzerland. It was some kind of typo, as we had never been to Switzerland, at least not together, so I joked, “We had so much fun, didn’t we?”

She didn’t hesitate: “I know!”

Me: I liked that youth hostel where we went hiking.

Her: I preferred the chalet.

Me: It was very pretty, but you know that guy broke my heart.

Her: He had the most awful sweater!

Me: So true! I was blind…I miss that rather authoritarian rest cure place.

Her: Oh, man, no kidding.

Later, I realized: she was playing with me. I had a playmate! You may think I am grasping at straws, and in fact I am, but the point is how it felt to play, even with faraway Friend 2 via text chat, or faraway Friend 1 last summer. It felt like moving after being locked up for longer than you can remember.

This week, Casey has been pressing hard, against whatever it is she presses. (viz. the experience that gave rise to Double Teamed). One way it expressed itself was a powerful desire to buy her a dress I’d tried on at H&M. This dress was so cute (gray flannel pinafore, buttons up the back, tie at waist, knee length) and I thought Casey would look so cute in it. Unfortunately, it didn’t fit very well (I have a large cup size and it was fitted in the chest). I was bemoaning this to Friend 2, saying it might fit if I lost some more weight. Friend 2 suggested I get it and put it in the back of the closet, knowing that from H&M it couldn’t cost that much. So, yesterday, we went back to the store and I got the dress for Casey, in gray and in navy. And, now it even fit.

Home we get from the store, but she couldn’t try it on yet because TL had a student. Turned out the student needed help with a Latin translation, and it turned out one of the words was verberare, which, we discovered, means to flog. It was very difficult to keep Casey in check at this news. She tore open her own dictionary and scoured the page: verberabilissumus, altogether deserving of flogging! At one point TL’s student forgot what the word had meant.

Casey: To flog!

Kid: Oh, wait, I thought it was to beat.

Casey: Right, flog, beat, whip.

Kid: What’s flog mean?

TL at this point asked Casey to fetch something from the other room while she defined flog for the kid. When Kid worked out that the criminal in his translation was being threatened with verbereris, his response was, “Wow, harsh!” Casey had to be sent on another errand at this point.

Finally, TL’s lesson ended and Casey was allowed to put on her frock. Navy blue, white blouse, navy gym knickers, white ankle socks, black school shoes. And let me tell you, Casey has never been more In for the last twenty months. My body was taken over by her, walking like her, skipping around, even – wait for it – smiling. I felt quite literally possessed by someone else. Except I knew her. I had known her. It had been a  long time.

In previous exegeses I have written about the growth of my tgi imagination from its unlikely beginnings in the Waspy, industrial Midwest. Besides sharing photos of my dolls, I haven’t written much about the girl I was before adolescence, a girl who bears slight relation to casey, but is far more anxious and goodie-goodie. This is her story, my story:

Despite  feeling very peculiar when reading or watching stories about tgi, I was terrified of and squicked by the reality. Part of this was a negative response to having received it in the way that I did (more on which another time). Part of it, though, has to be the gargantuan dependence on the idea of myself as a Good Girl (read: compliant, accommodating, approval-worthy, Nice). I’ve met several people into tgi who have said they didn’t misbehave while growing up. Neither did I. My parents employed a bit of light hand spanking with my brother and me for what I think of as “getting out of hand” moments. Never were there rules understood in advance, broken deliberately, and punished. The idea of deliberate punishment (whether physical or not) was enough to send me into a meltdown–because being punished would have meant that I was Bad, not Good, not me, and not lovable. I was anxious enough with my parents’ un-articulated boundaries. I was addicted at a young age to the crack of their approval. I lived in fear of losing it.

When I was six, just after joining children’s theater, I went to try outs for The Three Little Pigs. The deal at children’s theater was that our director, Mrs. R, would try a bunch of people in a bunch of roles, and you could say what your preferences were, but you had to accept whatever role you were ultimately given, with good grace. Be a Trouper. She had me try out for all the pigs and even the wolf. I was burning with shame and anxiety because I was terrified of being cast as the wolf. That would mean I was Bad. I knew I wasn’t my character, but I was young enough that I felt that their…moral state?…connected itself to me, that people would judge me as they judged the character. If I was forced to play the Big Bad Wolf, then I might not only be Bad, but it would mean I was the kind of girl who deserved to be punished, maybe even spanked! Even the first or second pigs caused me anxiety; they, too, were Bad because they lazily built their houses of inferior material. They deserved their tragedies, and worse. The third pig was the only role that would allow me to sleep at night. By massive luck, or by type casting, I got the third pig. You really cannot imagine my relief.

A little later, I was cast as a village girl in a play called The Little Juggler. It was only my third or fourth show, and I had only a few lines. We village children were mean and bratty and teased the vegetable sellers and little juggler boy. Mrs. R came up with a bit where the vegetable seller gave me a swat with a carrot after a snarky comment my character made. I froze with embarrassment, shame, confusion, horror. I almost cried during rehearsal. I was sick to my stomach for days over it and eventually was forced, through sheer desperation, to assert myself enough to talk another girl into trading lines with me. I couldn’t explain why, just that I really really really wanted to trade lines. She agreed. Later Mrs. R asked what had happened with the lines. I think I blushed beet red and near-tears blurted that we had just wanted to swap lines. She let it go, though I’d no idea why. As an adult, I now suspect she recognized one of those awkward and inexplicable childhood embarrassments, and had mercy on me.

So, spanking as a real life topic was not the slightest bit funny for me. Everyone I knew got it growing up. It was a standard punishment along with grounding and having your allowance taken away. At school there were playground games that included the “rickets” or the “spanking machine”, i.e. having to crawl through the legs of your playmates and be swatted by them as you passed. Other kids found this raucous fun. When in 3rd grade [age 8] we had “moving up day” and visited the big 4th grade classes, they played a ball game called SPUD at recess. When you lost a round, you got an S, then a P, etc. If you got up to SPUD, you had to go through the spanking machine. I felt sick to my stomach and insisted on watching only. It made me so very frightened of 4th grade.

When you misbehaved at my school, you got Sent To The Bench (which Mark hijacked in the first story he wrote for me, The Benefit of the Doubt). The Bench was a pew-like bench outside the Assistant Headmaster’s office, just inside the main entryway. Everyone could see you there. Astoundingly (or depressingly) I was never sent to the bench in all my time there, surely one of the few if only students for whom this was true. In reality, you got told off, or in middle school got a detention with the telling off. Before middle school, I had the idea that you might get spanked. Some other kids wound me up (or fanned the flames of rumor) by telling me they heard that was true. (Reality: not!)

Perhaps you are beginning to understand the little nervous wreck I was underneath that perky, A-student, nice girl in the Lilly Pultizer dresses and school uniform? She’s still here a little bit, but M (and RP) effected a lot of rehabilitation over the years (for instance, RP’s institution of Casey’s four rules).

I wore underpants at all times except when in bath or swimming costume, another habit that was whacked out of me (Casey) by RP, who forbade it under nightwear as unhygienic and perversely over-modest.

Once when I was 8 or 9, I asked my dad if French kissing was dirty. I asked it rather boldly, expecting him to 1) be impressed that I’d talk about French kissing and 2) say Right you are, it sure is. He looked at me for a second, probably surprised, and said: Of course not. It’s wonderful. I didn’t really believe him, and on some semi-conscious level thought he was giving me a party line.

I felt enormously conflicted and peculiar when my mom would read me a book called The Lonely Doll [discussed by EJ and earlier by Adele] which featured a father teddy bear taking his son across his knee, as well as  his quasi-ward, the lonely doll. It’s a terrifically twisted book–I mean, teddy bears spanking dolls?–but then a good deal of my tgi play involved my dolls spanking each other. See, I never spanked them because that would be Mean, and I wasn’t Mean, I was Nice! However, they were not all nice, and some of them were quite strict school teachers or even orphanage matrons/masters, so I was able to identify with some of my poor Holly Hobbie dolls who suffered under such wonderfully mean grown-ups. The Lonely Doll might actually be a bit of a metaphor for meeting M (if you overlook the nauseating layers of twee). Whatever her name was, this doll lived alone. Then Mr. Bear and his son came along, and she had friends. But then she and bear jr. let their hair down and played a little wild and made a mess; and Mr. Bear spanked them! She was so upset because she was sure they would leave her (because she was Bad! Not lovable!), but actually they stayed. And she wasn’t lonely, and Mr. Bear presumably dealt matter-of-factly with her and bear jr. when they misbehaved as they should like little animals exploring a wide world.

I say there is not much of this girl left in me. I say she bears only slight resemblance to casey. Is it true, though? Casey might be more willing to be naughty. She might not shatter under the shame of being punished. But she is still a recovering good girl. She is, I am. There is still work, we think, for someone to do.

These were taken by my own fair hand with one of those cameras the size of a milk-duds box, where you advanced the film with your thumb. Sort of like this:

Except I didn’t get mine off the back of a Minute Maid can. Anyway, remember the pink bedroom in that story The Visit? Here it is, gray dollhouse to the right just off camera:

Here we have Mother Goose looking the formidable schoolmistress. Her pupils (front to back) are Daisy (who has seen better days, and actually looks like she needs a visit from mental health services), Heather (Holly Hobby doll), Annie, and Holly (Holly Hobby doll). I did not actually name any of them. I always like the Holly Hobbies because they dressed very Little House on the Prairie. Anyhow, Mother Goose had better keep her eye on Holly and Annie, if you ask me. If they could be played by real girls, I would cast… oh, how could I choose with candidates like Jessica, Emma Jane, Eliane, Haron, Caroline, Mija, just to name a few internationally renowned schoolgirls?? Vote in comments, kids.

Next up, the orphanage dolls. The photo is blurred to hide their real identities, ha ha, but here they are, all lined up for inspection:

Cute costumes, right? These orphan girls slept in bunk beds, sang “It’s a Hard Knock Life” and suffered constant, mean whacking from the orphanage master and matron, played by Mr. and Mrs. Sunshine, who, when they weren’t impersonating orphanage wardens, drove around with their cute little baby in a camper van spreading peace and love.

It was constant drama in the pink bedroom. How I found time for homework and play practice, I’ll never know.

Mom & Dad: if you’ve been lurking and now, after seeing these pix, have to acknowledge that this is indeed me – Ohai!!