supplicium post mortem

What has Casey Morgan been up to the last thirty days? Has Supplicium Post Mortem indeed died, or is it like the plant life all around us here in Gotham, dead-looking, but not in fact dead? As with the plant life, only time will tell.

The short answer to what Casey has been up to is NaNoWriMo. Don’t run away just yet. Rest assured this is not one of those posts that will go on at length about how Stressful, how Angst-ridden, how Amazing-Super-Awesome, how Challenging this Incredible-Amazing-Super-Awesome-Herculean-Insane-Really-Insane month was. No offense to any NaNo pals, but even when I feel that way myself, reading about it from other people makes me secretly want to slap them. So, I won’t whitter on with the breathless, flushed, nauseatingly healthy glow of the physically fit after a bracing run. Screw those people (again, no offense to the fit amongst you).

As you might have gathered from the NaNo widgets, I did in fact “win”. That’s right, kids, I am a Winner. Please remind me of that when I feel like a Loser, which is pretty much all the time. When M and I used to play, often we would have to time-slip a scene. For instance, maybe the board said Marky was to report to TL at 7.30 pm for a Report, but then when 7.30 came around, M wasn’t in the right headspace, and since I wasn’t willing to have TL take the rap for screwing around with kids’ Reports, we just time-slipped the scene, i.e. did it another time, but said it was the original time. When you’ve got a constant fluid narrative going on—some of it actually acted out, some of it just discussed with each other—the time slip is an indispensable tool for keeping play and life in balance.  So (this was not actually a non-sequitur) if the actual completion of the 50,000 words was every so slightly time-slipped by a few hours (but less than 12), because we found it shockingly difficult to pull the kind of late hours we used to pull, well, then, the Office of Letters and Light* neither knew nor minded. Anyway, since we were officially NaNo rebels, writing the 50K on a pre-existing project, the little time-slip fit right in. And the point is that we wrote that many words, new words, and more importantly, we finished the key plot arc in the book. Win. *rotates finger ironically*

Depression, anyone? I was talking to my spiritual director about the annoying neutrality that has ensued. I ought to feel at the very least grateful because I wrote more on my real writing in November than I wrote since M died. I wrote a piece of narrative I’ve been thinking and wondering about for more than ten years. I’ve been praying for help getting that writing started again, injecting some life there, if possible. And, look, it happened. So why does it feel like it’s nothing?

My spiritual director is wont to draw upon literature for illustration (whether he does this always or just with me, I don’t know), and his view was that a) feelings at the end of things were unpredictable, and b) not being able to value the valuable was, simply put, a maneuver of evil upon us when we are vulnerable. He recalled The Screwtape Letters, which I adore. In them Lewis so dramatically and comprehensibly helps us imagine the way evil works upon us. I love Lewis’s imagining of Satan as a kind of drab, far-removed civil servant jeffe, Screwtape. The hapless Wormwood is coached on his almost medical mission viz. his Patient (i.e. the person he is attempting to corrupt). Screwtape and Wormwood are not inspiring murder, rape, fornication, theft, genocide, destruction, or anything particularly dramatic, but instead they work upon the Patient by gently suggesting things to him that lead him by hairs away from what is true and ultimately good.

by Moro Rogers http://kambodiahotel.blogspot.com/

So here am I, 50K later, and do I feel satisfaction at good work? Do I even feel gratitude? No, I don’t, because the Wormwoods of this world are whispering in my brain: It’s not that big of a deal. You’ve done that before, so big whoop. 50,000 horrible words are nothing to be proud of. You may have written all that, but it’s not a book, and since you remain entirely confused, will probably never become one, especially as the one person you could rely upon for good advice is dead. And anyway, even if you did finish it, it will just go the way of the last one—nowhere.

Recognizing this as a form of evil helps, I think. Self-doubts, perhaps, ought to be analyzed, disputed, argued around. Evil, however, must simply be turned from. And so I turn. It hasn’t brought an onrushing of joy. I’m not sure I’m capable, yet, of such an emotion. But it has allowed me to start rereading the drek that was so unbelievably bad it felt that my fingers should fall off from typing it. And, you guessed it, the drek is not as bad as it seemed at the time. In fact, it’s good in places. I say this not to brag, but to encourage those of you who wrote some or all of the 50K, but are so embarrassed by your efforts that you can’t bear to go back and read it. Something happens to work written that fast. It may not be brilliant, and large swaths of it may call for laughter, but when you go back to it, the writing will contain things you have no memory of putting there. So, if you don’t reread, you can’t enjoy them. Message: man up and read the shit. If you are thinking to yourself, Well, it’s fine for Casey to say that, she’s a good writer, but I’m not, I have one word for you: Screwtape.

Those of you who aren’t into all this writing business, normal service will resume… at least I hope it will.

* The HQ of NaNoWriMo

So just as we finish writing about that CS Lewis passage about the lover’s pinch that hurts as it is desired, we find the referent (Anthony and Cleopatra) line as a NYTimes Sunday crossword clue. How about that, kids? Imagine my surprise, then, when I look up the line to find out the answer to the clue (its stroke is as the lover’s pinch….):

If thou and nature can so gently part,
The stroke of death is as a lover’s pinch,
Which hurts, and is desired.

(Anthony and Cleopatra 5.2.342-44)

In case you’re confused, the 5-letter answer is death. Ugh…

I read The Narnian, by Alan Jacobs, a C.S. Lewis biography I heard about on the malespank forums, which said the book contained references to Lewis’s supposed tgi interests. I considered these claims doubtful, but ordered the book from the library anyway. One reference is to Lewis’s discussion of “Eros” in the chapter by that name in The Four Loves. He alludes to a kind of role-play (first full paragraph on text page 145, or “149″ in the embedded media) :The Four Loves

Jacobs says that Lewis “insists strongly that such play must really be play, accepted as such on both sides, both fully voluntary and very temporary” (Jacobs 287). This revelation increased, exponentially, my feeling of connection with Lewis, a connection already powerful via his writings about his bereavement in A Grief Observed. I thought, He knows everything that’s true! How I wish I’d been alive when he was. I have the strangest crush on him. I think this is my first crush on a dead author, I mean a romantic crush. I want him to read my book. It wouldn’t be intellectual or rigorous enough for him, but I wish he’d read it. We have a lot in common, I feel.

The other reference was to some early letters with an Oxford friend in which he signed himself Philomastix (whip-lover) and opined about girls he’d like to spank (Jacobs 56). If only he’d met Casey Morgan (ho ho). The more I read about this man, the more I feel he was a fellow traveler in every possible way, separated by time. How nuts am I to be crushing out on a long-dead writer? Jacobs is a good writer, smart and sensitive, someone who understands and appreciates both literature and religion. He makes me want to try the other Narnia books, and he makes me cry at times. I often cry around C.S. Lewis. I often cry, period.