Perhaps we would have pottered around doing chores until my physical therapy appointment. It should have been a day when both Casey and Mark got seen. Mark would have reported to TL’s study, or the house-room. Casey would have been summoned upstairs to RP’s crimson study—the one I keep thinking I ought to use more as a writing space, but can’t. I should have told him about the dream I had the other night, in which I was some rebellious prep-school boy cornered by an exacting master, my nemesis. He was going to give me six, and they were going to hurt, a lot. He told me to bend over, and he produced a fearsome (and improbable) cane, rigid and ridged, rather like Abel’s walking stick. I/my boy avatar was scared. The master held the cane against my bottom and waited. I mentally prepared, told myself to breathe, not to clench, to stay down, that I could take it. Still, he waited. I trembled. The door to the study was open, and passers-by peered inside. Yes, the master said to the peeping boys, this is what happens when you break the rules. He lifted the cane; I inhaled; the alarm rang.

Today was the kind of day that could remedy interrupted dreams, though I wouldn’t fancy a RL encounter with that sort of stick.

In the real day, I dragged myself from bed when the wolfhound insisted. After throwing the ball around the sub-zero park, I dragged the dogs home and embarked on morning chores. I organized the chaos of unrecorded to-dos. I tackled some email. I went to physical therapy. I walked around the city by myself imagining tweets I would write if I had a smart phone, and things I would do if it were the day it ought to be. I went to Muji and found a pair of pyjamas that fit perfectly. They are what M would call whack-me pyjamas. I thought about how much he would like seeing Casey in them, and how cute she would be in them.

And I thought about how he was the one who really got ripped off, not me. I have more life to live, I have great friends, I am healthy, the rest of my family are all alive, I can pay the bills, I have great dogs and a nice place to live, a garden in summer, neighbors who look after me, the best church in the world, and the love of God whether I deserve it or not. He didn’t get to live more than 45 years. He didn’t get to see his son grow taller than him. He didn’t get to have children with me. He didn’t get to read the things I’ve written these last three years. He didn’t get to read the things I’d written when he was alive but hadn’t shown him yet. He didn’t get to see me Sunday night, at the story slam competition where I read After the Party, a little fantasy featuring someone like him; he didn’t get to see me wearing the tartan skirt I’d just bought; he didn’t get to see me win the competition. He didn’t get to grow old. He didn’t get to see his projects blossom. He didn’t get to be with me when I really knew how to love him.

It feels perverted—and by this I mean fundamentally unsound—to put on outfits that look cute when there’s no one around to appreciate them. The Russian lady who inflicts bikini wax (plus) on me insists that you do things only for yourself, my dear, not for anyone else, only for yourself. While there’s something comfortingly self-sufficient and feminist and self-actualized about that, the sentiment rings hollow somehow. Connecting with others, depending on others is part of being human. I tend to agree with R.R. Reno that the opposite of piety isn’t unbelief but sovereign desire. So perhaps I can be forgiven feeling unsound wearing cute outfits that he can’t see anymore.

And of course beneath my noli me tangere exterior, I secretly long for attention. I’m not exactly the kind of girl to ask for it, but I get jealous of other girls who garner attention. Having been round the houses with this once before—coming out of my twenties—I’d say my reticence is not coyness, but a kind of armor. I know I can’t have the sort of attention I really want, so rather than seek out something I think will frustrate and hurt me, I work on ideas like humility, on not looking to other people for validation, on being grateful for what I have, on getting used to the idea that this will probably be it, and that it’s enough to get through the day, and I’m not in a war-torn nation, not oppressed, not cancer-ridden, not a million bad things, so I need to stop feeling sorry for myself and try to be of use to other people.

In the day that should have been RP would have had a chat with Casey about this attitude. He would have reminded her of her Four Things. He would have paid her several sorts of attention. In the evening M and I would’ve watched House on tv. Would he have liked Lie to Me, or would he have found Tim Ross a plonker? It would have been–should have been–the kind of day where you don’t mind that it’s winter, that the night comes soon and lasts long.

In this dream, I was visiting some friends, Mr & Mrs Lovely, before a party they were to give. Mr. and Mrs. Lovely were sitting on chairs, but another American visitor and I were lounging around on the floor. We were all joking and bantering. Mr. Lovely, American-friend, and I were sort of wrestling. Cheeky remarks and gibes were coming out of my mouth. He wrestled with us playfully, but he didn’t push it when he felt my uncertainty. American-friend wrestled differently, like she meant it, like she wanted to lose to him, like she intended to get herself smacked.

Soon the hangout dissolved, American-friend went upstairs, and it was time to get ready for the big party. But Mrs. Lovley was berating Mr. Lovely, telling him to figure out a way to get me to play. She felt it was his duty as a man to get creative and help me out, “so that she can get past this one place and start to live the rest of her life.” Mrs. Lovely had the idea that I was frozen about crossing this threshold, and that simply being able to play around at a party would draw me firmly into real living. She felt somehow that if I remained an observer at this party, I’d be missing a chance to stop being an observer of my own life. He, paterfamilias, needed to take initiative.

I’d earwigged their conversation and was burning with embarrassment. The thing was, I explained, I was deeply ambivalent about playing. Mr. Lovely was paying attention to me now, and the vague quietness I’d observed when visiting in the summer was now a kind of pregnant sensitivity. We faffed around in this uncertain tension until I asked if I shouldn’t simply list all my fears. Mr. Lovely said, “I think I’d concentrate on the possibilities.” So I picked the thing top-of-mind: Just who would be seeing little Casey?

To ask this question was already to have come a long way off the sidelines. To voice this question revealed that I was capable of imagining Casey being present. I was in fact already imagining falling into her, and into her clothes, and secretly inside I already was starting to feel like Casey. The question revealed, also, everything about how I play: in role. Perhaps it’s more accurate to say: wearing a costume so that other people can see what this inner me is all about.

I couldn’t endure the idea of playing as X (my real name) because X is a grown-up, pulled-together, balanced person. She isn’t especially fragile (though she isn’t the iron clad maiden she was in my 20s), and even though she manages a certain amount of frank vulnerability, it’s all on the verbal/literary level; it isn’t immediate or physical. There’s an adult distance about it all. To play, though, means to allow forward a part of myself that is not very X. This part I call Casey, and over the years with M, Casey developed beyond a label and into a full-blown person. ¹ To play as Casey, who is an extraordinarily vulnerable little girl, more so than when M was alive, is to make visible the psychological reality of playing itself.

So Mr. Lovely and I were pondering this question: who would be seeing little Casey, and why? I explained again, as if it needed explaining, that she was scared, bereaved, lonely; she would not be very robust. Yet, someone dealing with her couldn’t allow her fear and bereavement to dominate. The point, as Mrs. Lovely had put it, was to nudge her over a frontier. I don’t think she   would cross it willingly, but if she turned up to a scene, that would be consent enough. At the same time, if someone steamrollered her, or gave the impression that he didn’t understand her, or didn’t base his command on that understanding, then she would merely comply in a mechanistic way. It would be robotic, and not only fail to accomplish any threshold crossing, but it would scare her away worse than now.

Understandably, Mr. Lovely found this all a bit overwhelming. Mrs. Lovely and I went shopping for the party, and on the way back she almost ran over a bunch of schoolkids. I yelled and grabbed her arm; she swerved to avoid them, just. She was angry at me. I apologized for yelling and for touching her. She said that she was never going to hit them. I very much doubted it.

Back at the house, I hoped to find Mr. Lovely to talk. I was beginning to imagine a scenario—the very fact that I could imagine something seemed to be a hopeful sign. What if, I wondered, Casey had brought home a bad school report? It would be terrifically shaming for her, since she’s such a good student. She would have bollixed up the first term at her new school out of an inability to join in. The same reticence that kept me on the sidelines at parties would have caused every kind of problem at this school she was attending. She’d avoided homework and then avoided the consequences, she’d offended teachers with her silence, which seemed to them churlish and sullen. They certainly didn’t understand her, and this had made her worse. It was a train wreck.

A discerning interlocutor would be able to see what her teachers couldn’t see. He would realize that she didn’t need yelling at, that she was already ashamed beyond endurance, and that it was her sadness and this boil of emotions that needed addressing, not her homework per se. At the same time, she had not behaved as she ought. She had declined genuine offers of help. She had indulged in procrastination and avoidance. Most importantly, she had allowed herself to carry on until she reached the state which now tormented her. How could she treat herself like that?

It couldn’t be a guardian with a real relationship, because that would be fake. Casey has no relationships with anyone but TL. But what if it were the man of the house where she was staying over the holidays? He, perhaps, knew some of the staff at her school, perhaps her form teacher. In any case, he had her report in hand whether or not he’d any right to it, and as a grown up, as the best available representative of loco parentis she had just then—in that fleeting, un-ideal moment—he intended to have a word with her, even though he had no previous relationship with her, even though he would have no serious relationship with her beyond that holiday. He didn’t appear bothered by the unofficial, presumptuous character of the interview. He was paterfamilias, she was a child under his roof in need of guidance, he intended to provide it. End of story.

The dream ended before anything could happen, before I could even speak to Mr. Lovely again. We were in a building high up in the Gotham skyline, almost as high as the Empire State Building (where M and I met). A storm came upon our skylighted room, blowing rain in the cracks. I woke up.

I overthink. I overimagine. I rehearse excessively in my mind. But it was always this way. M and I wrote over three hundred long emails each before meeting. We, especially I, explored tgi and ourselves from every possible theoretical angle. I can’t endure reading the correspondence, in part because it’s too grievous, but also because it’s so very tedious with all of its intellectualizing. I hope I’m not intellectualizing that much now. But, as I live alone with my dogs and my computer, words, dreams, and thoughts remain my chief vein of experience. And I suppose this kind of rehearsal is preferable to an impetuous, confused, disaster of a real-life play encounter.

Of course, party play isn’t the same as deep play, and role play as other people know it is, I suspect, a distinctly different activity to playing Casey. I don’t know, yet, if there is anyone amongst my acquaintances capable of playing with Casey. Besides, being on the sidelines of parties isn’t a bad thing. At least it’s being at the parties.

And—just as I was bringing this to a close—let’s not leave before putting under the microscope the glories of my reserve. If I stepped off the sidelines, it would mean sacrificing this quality of mine—that I don’t play, that I am charming and nice and only a visitor from afar, that I am not a pawn in gossip, not an adherent to one side or another in whatever drama is unfolding, that I possess a lofty wisdom born of distance and of not having a horse in the race. Why should I want to give any of that up? Then I would be just like everyone else. I would be part of everyone else. Feuds and tensions would involve me. What I did and said would start mattering to people personally; I would start offending people on more than an intellectual level.

And—this is the heart of it, isn’t it?—I would grow attached. My massive, neglected needs would come out of the deep freeze, and then where would we be? I will tell you: in torment. I would have allowed myself to need these people to the core (with Casey even!), and then I would be all alone again at home in Gotham.

Also, I know my heart. It is essentially monogamous. Certainly it has room for friends, deep true friends, but that is distinct from its central longing. Which is a way of saying that even if I did live in the land of parties and could join in on equal status as everyone else, I would still be…well, wounded after an honest encounter via Casey. Wounded in the sense of having undergone a surgical procedure.

People talk of sub-drop, but this is more serious. Sub-drop as a term implies a neuro-chemical depression after extreme stimulation. Like a hangover or a post-cocaine crash. You did something very intense on a physical and emotional level, so you felt “high”, you “flew” as some people like to phrase it, and now, as a prelude to normality, you have come down from that high, a disagreeable descent.

I’m not looking for a high. I’m looking for a Real. I’m looking for a breath of real, intense air on this planet where I have not been able to respire. You flew, you dropped—a normal course of things. You finally breathed, now you must again hold your breath—not.

If I was still 26, if I had never lived a real life, this would not be so difficult.  But I have. I know what I’m toying with. I know what kind of heart I have. I know how it feels to live, how it feels to be a phantom, and how it feels to long for a life I can’t have. Of these three, it’s the last I dread most.

As a child, and still now, I found anger difficult. Lots of people are like this. Anger is Bad. Good people do not get angry. Anger is a destructive force–axioms of my personality. M and Mr. Prior did a lot of work over the years trying to rewrite some of the axioms, for instance trying to redefine Good as meaning honest & true, rather than Polite & Well-behaved. This is probably a long, boring topic for you, but the point is that my musculature is overdeveloped from holding in anger and other unpleasant emotions for most of my life. M did a lot to release this. The release normally took the form of tears.

This weekend I am in the industrial midwest, having travelled here with my brother and sister for my father’s 70th birthday. I’m the eldest and closest to my father, in contrast to my sister, who seems to have almost an allergic reaction to him. He’s a nice guy, a decent guy, an honest, hardworking guy. He’s also a workaholic, hard to connect deeply with, and prone to emotional tonedeafness. As a teenager and young adult, I felt a lot of anger towards him for having left my mom and thus destroyed our family. I’ve since forgiven him, and I feel a lot of compassion for him. Nevertheless, his behavior is sometimes very tiresome, and I have had a lot of it over the last two days, combined with trying to take care of his vulnerabilities while also taking care of my sister so she doesn’t go into emotional anaphylactic shock. Such is the way with family.

Last night I dreamed we were all together (my dad, stepmother, bro & sis) and my dad was talking. All of a sudden I said: “Fuck you, Dad. Just fuck you.” I continued with a string of angry f-expletives. He snapped and ordered me to go to the other room, just like I was little and he was ordering me to my room. I stomped off, part angry, part nervous of suddenly being in trouble. In the other room, I realized Casey was “in”. I think her shoes were even on my feet, and I was kicking stuff like she does, or wants to do, when she’s angry. I’m a little vague on what happened next in the dream when my dad came in to talk to us / tell us off. I think it was a combination of adult-me apologizing and explaining my frustrations, and Casey-me kicking in anger and shouting more provocative things.

I woke up from this dream and thought: I must be angry with him, who knew? But I kept thinking about the dream—you know how sometimes dreams keep drawing you back to think about them, as if they contain some kind of addictive substance? And what drew me back to the dream was the experience of Casey. I longed, and still long to be able to be back in her. Casey was frequently angry. Casey was allowed to be angry. Casey was allowed to scowl, to stomp around, to shout grouchy things, to make outrageous claims, to hyperbolize without rational tempering. M had a portmanteau for Casey’s go-to mood, which was glumpy (glum + grumpy). And Mr. Prior, the only person I have ever encountered in my life like this, he could deal with Casey’s feelings. He could take her anger. He knew when her misbehavior was anger, when her glumpiness was anger, when her sadness was anger, and when her anger was sadness. He allowed all of it, and he loved her so intensely when she was Bad, when she was out-of-control, when she was angry. He wasn’t afraid of it or her.

I think most tops, when faced with a scowling, sad-angry-provocative Casey Morgan, would conclude that she needing whacking and that I was indeed asking for whacking via “playing” her. It wasn’t like that. And he understood that. All those years of playing—if it can even be called playing—opened up huge wings inside the mansion of my personality, until they were more or less integrated, at least around him. But when he died, there was no longer anyone who could see Casey—See (deal with) her or see (perceive) her. I have to be a grown up all the time now, except when I am by myself. When M was alive, I sometimes found it a trial to have to be a grownup all day long at work. Now I’ve been grownup for 26 months straight. Now she mostly comes out in dreams.

I cannot tell you how much I want M right now, how much I want him every second, but especially right now. The last time I was here at my dad’s with him, we were looking through the famous & voluminous family photo albums. My father loved taking pictures when we were little, and you were often having to put on nice clothes and smile during photo shoots. I’d always loved these photo albums, but M saw them with different eyes. I remember him poring over some pages of me when I was two or three. I thought I looked happy (I was smiling), but he drew my attention to the eyes. Look how sad they are, he said. He pointed out  a lot of things in these pictures. I don’t enjoy looking at them anymore. The myth of the happy pictures was shattered for me. Don’t get the idea that there was Abuse in my childhood. There wasn’t. We’re talking ordinary life unhappiness that just didn’t have a legitimate channel for expression before I met him. Or so it seems.

If he was here right now, he’d hold Casey tight and call her by the pet names he had for her that said she was special and his and entirely safe and loved in his arms, no matter how she behaved. Once he called his real kid by one of those names and she got so jealous it wasn’t even true.

I’m sorry for complaining so much. I have an unbelievable amount to be grateful for. But Casey says being alive is unbearable. She’s a kid, so everything is exaggerated. Still…

The scene in question arose out of some joint story-telling about a certain unpleasant prefect in the House by the name of Martin Halstead. Arrogant, sadistic, scornful, he was not to be trifled with. Via some confusion on my part about the way the hot-water storage worked in that flat, Casey managed to get on the wrong side of Halstead by using up all the hot water one morning before he got to have his bath. More out-of-scene storytelling floated the idea of being “sprung” into a scene first thing in the morning. I wasn’t sure how I’d react to this, but I wasn’t against trying. I think I didn’t know if he’d actually go through with it.

But he did.

Malcolm McDowell's character in If never beat anyone, but he looks like Halstead here.

Early morning, I found myself awakened by a very nasty specimen in College school uniform. Martin Halstead demanded that I report to the Houseroom in full uniform in five minutes. Exit.

I hauled myself from sleep, feeling 1) a combination of scared/excited that this scene was actually happening, and 2) violated, because I’d been descended on when I was asleep, wholly unprotected. At any rate, I put on Casey’s preferred uniform (gray trousers, blazer, tie) and reported to the Houseroom.

There Halstead lit into me.

MH (with profound scorn): Just what do you imagine you’re wearing, girl?

cdm: My uniform.

MH (with even greater scorn): Girls at this school wear skirts.

cdm: We’re allowed to wear the boys’ uniform, too!

MH (witheringly): Go and change. Now. And be quick about it unless you want more than you’re already getting.

I/she went off and changed, feeling uneasy and slightly gross. Not only did a skirt afford only one layer of protection, but it also made it much easier for a creep like Martin Halstead to… I wasn’t sure what. I/she was also incensed at the injustice of it. Girls were allowed to wear the boys’ uniform. It was perfectly legal, and here he was saying I couldn’t do it! I have a tendency to get overwrought about injustice I am powerless to affect. This is why torture films, like the spate of political dramas that came out in the 1980s about South Africa and South America, squicked me. Here was Martin Halstead already demonstrating his unjust authority, and the scene had not even properly begun. I felt desperate.

I returned to the Houseroom, feeling under-dressed in skirt and gray knee-socks. Halstead delivered a searingly condescending ticking-off about my insolence at having used his bath water (as if water were reserved). I needed taking down a peg, he declared. And, he informed me, that was precisely what he intended to do.

from "The Moral Reformers"

I should say that this was in most respects an authentic prefectorial scene. School literature was full of these kinds of despots, as was M’s actual Public School. By Kipling’s standards, Martin Halstead was a pussycat. Up until this moment, I had loved reading stories like this, chapters like “The Moral Reformers” in Stalky, or even the war with Flashman in Tom Brown. Now that it was happening, however, it was having a very different effect. It was pushing my powerless/injustice buttons and winding me up dangerously.

Then the sentence: Halstead announced I would be receiving 18 strokes of the cane. I can’t remember the arithmetic, but this chilled me to the bone. I had never before taken that much in one go. The most I’d ever taken was nine (I think, though possibly 12). But what really filled me with dread was the character I was facing. Martin Halstead was going to hit as hard as he could. He cared nothing for my feelings. Nothing would make him back off. He hated me and wanted to see me suffer. He intended to break me.

I removed my jacket as instructed and stood before the Houseroom table. I don’t remember now whether he announced the protection then or half-way through, but I was to get nine over underpants and nine unprotected. It was unheard-of in severity. Also, the lack of protection struck me as obscene. Here I was a 5th form girl with this Upper 6th form boy, and he proposed to cane me unprotected, without witnesses? There was no arguing with him, however; and perhaps I was beyond arguing. I was moving rapidly into survival mode.

I bent over, and the first stroke confirmed my suspicion that there would be no holds barred. It was uncompromisingly hard, and it was delivered with complete hostility. It was by far the hardest whacking I had ever received.

I don’t remember the stroke-by-stroke details (this was almost 15 years ago now), but I remember that I stayed in place; and I remember that my body was yelping involuntarily through most of the second half. What I remember most is what happened to me mentally. Pushed to my limit, I found myself very calm, and very cold. I was a million miles away from crying, breaking, or even actually caring. Under attack, I retreated into a concentration-camp-like deadness. I could never win in this situation; I could only hope to survive it intact. And the only way to keep myself intact was to hide that self very far away. My body might have been yelling, but the real me—the real Casey—was not there. This was happening to someone else, someone not-us. Martin Halstead got his licks, but he didn’t get us. He would never touch  us.

When it was over and I stood up, I think he was disappointed. I was utterly dry-eyed, neutral, and stony faced. Robotically, I gave the replies he wanted. I only pretended to look him in the eye when he demanded it. He did his best at a devastating after-jaw, but eventually he dismissed me.

Unperturbed, I left the Houseroom. And Casey, wearing her entire uniform—blazer, shoes, and all—got back into bed and crawled under the covers, where she stayed most of the morning in a kind of suspended animation.

I think M kissed me goodbye before leaving for work, and I think I faked it enough to reassure him. I can’t remember very well.

Later in the morning, Casey got up, and I say Casey because the adult me was nowhere to be found. She had taken charge and no amount of pulling myself together could have ejected her. Casey, still stony, got up and wrote a long and measured letter to Dr. Malcolm (the Headmaster) registering a formal complaint about what had happened that morning. She was well aware that complaining wasn’t Done. She did not care. At this point, she took a perverse pleasure in violating School Practice.

The thrust of her complaint was that it had been unseemly for Halstead to have caned her unprotected without any witnesses. She also argued that, while she may have deserved punishment, the punishment given was out of proportion to the crime, and that a common understanding of uniform had been contradicted. She appealed to Dr. Malcolm to uphold justice.

She and I went out later, around the time M was due home, so that he could find her letter and figure out what to do about it. I seem to remember later that evening (right after we got back, or later?) Casey being summoned to see Mr. Prior. She went, still dead-in-heart, figuring he, too, could do whatever he wanted to her. She was beyond caring.

But Mr. Prior was no Martin Halstead. He was distressed to have learned what had happened. In fact, he informed her, Martin Halstead had been stripped of his prefect status. He would not be tormenting anyone else. Casey, gobsmacked. Furthermore, Mr. Prior wanted to apologize personally to Casey, for having failed to keep a sufficient eye on her. It shouldn’t have happened, he told her. It wouldn’t again.

This was not the end of the trip, and we played many more scenes, though none that hostile or that severe—not then, and not, that I recall, ever (at least with me bottoming). There wasn’t any blame on either side for this scene, but we both learned something about me, and about the ice-cold survival instinct I appeared to possess.

I have read a lot, then and today, from people who achieve a kind of release or catharsis from very hard scenes, from being taken beyond their limits. It always sounds appealing in theory, but M and I both learned in that early scene that it would never work that way with me. He, as a bottom, had cravings to be pushed like that, but as a top, he concluded that a) I would never respond that way; I would merely go dead; and b) if by some extraordinary action I ever was pushed that far, the results would be utterly destructive.

I know many people are different from me in this regard, but knowing this about myself has saved me from thinking I might enjoy playing with hostile authority. Despite having organized myself around it as a child, it was, and still is, a place with nothing but damage to offer me.

And connected with this—in my retrospective mind—is RP’s instinct, sharpened over time, generally to give Casey less than she asked for. She had, and has, an enormously provocative streak, and in the beginning he sometimes mistook it for a request for lots of whacking. As previously discussed, there were times in that first year when she would bring home a pile of dockets from an absolute train-wreck of a day. Pretty soon, he cottoned on to the fact that this was an expression of anger, a self-destructive impulse, like her impulse to break things or tear up her punishment book. Pretty soon he got to the point where he would leaf through her pile of dockets, chuck them aside, and proceed to deal moderately but non-legalistically with her, giving her just enough to stop the downward spiral and not a touch more. Sometimes he refused altogether to whack her and would simply grab her and hug her against her angry will.

Where, dear Lord, is another man like this?

A notable exception was Mandy, by Julie Edwards (Julie Andrews). Mandy imprisoned my imagination and my heart, but on some level made me uneasy, perhaps because it was in fact closer to me than the hostile authority orphanage. Mandy is about an orphan (named Mandy!) who has lived her whole life in a small, kind, homey orphanage. She’s allowed freedoms, has friends, and is beloved by the orphanage matron. But, she longs irrationally for something else. She climbs over the orphanage wall, finds a cottage in the woods, and secretly begins fixing it up. Long story short, in a moment of crisis, she is rescued by the landowner on whose property the cottage stands (a man on a horse, no less) and taken to recover at his big house. The man and his wife (?) fall for her. Then she gets better and goes back to the orphanage. Except now, even though she’s back with her friends and people who love her, she misses the man and his wife. It’s enormously conflicted and sad. Eventually, they adopt her. Mandy pressed somehow on a loneliness I felt as a child, even though I was growing up within a loving, caring family. In many ways, I was unable to deal with this feeling. The hostile orphanage was easier.

My orphanage (which I imagined most nights while falling asleep, which I attempted to draw in my notebooks) was called St. Peter’s. It was a special admissions type place. I (my character, whose name varied) was brought there one dark, rainy night by a priest of slight acquaintance. My mother had been an actress (the real kind, not an “actress”) but had died and left me alone, à la Tatum O’Neal in Paper Moon. This priest had presided over the funeral and out of pity brought me to St. Peter’s, knowing of its sterling reputation. I was about nine.

This orphanage was run by a grossly exaggerated and fictionalized version of Mrs. R, my children’s theater director, with the other children as avatars of my children’s theater friends. And in fact the children at this orphanage were chosen for their talents, and Matron made money taking us around and having us perform for people. So, even though we lived a horrible, hard life and had to scrub floors and do every kind of difficult chore and were subject to the meanest discipline, after dinner every night we were sent to the dining room and told to get on with our rehearsals. We kids organized our own shows and practiced them together. Sure, there might be rivalries amongst us, but we were absolutely united against the orphanage authorities: Matron; her scary (and retarded) brother, Jack; and the other people in her employ, who could also punish us as they chose.

There was of course a Bench at the orphanage, but you could be whacked at any time for any reason. We comforted each other in our misery and always—always—had our minds on the future when we would Run Away. Of course we would fail many times, and be severely punished for our efforts, but one day, my cadre and I would make it. We would escape, and after a period of thrilling, Faginesque adventures in The City (which would naturally include theatricals), I would happen upon the Perfect People, who would adopt me.

The promise of the Perfect People was essential, but my fantasies rarely left the orphanage. Something about the harshness and despair, coupled with the camaraderie and resistance comforted me. The dynamic with authority was important. You couldn’t win against Matron, not openly, so your only option was to resist her internally, to obey her, but not in your heart, to pretend compliance while secretly plotting your escape. The hostile authority was intoxicating for a Good Girl like me, naturally. As a Good Girl, I depended slavishly on the good opinion of the authority, unless of course the authority was a Bad Authority. Then, I could resist it, disobey it, undermine it, hate it. No wonder the orphanage was like crack to me. There I could transgress, break bounds, get into trouble and still be heroic and good. There, punishment was a badge of nobility. The heroine always suffered punishment, and yet she was always good. Win, win and win!

Perhaps you are feeling like you might be sick now. I am, too. But the interesting point is what happened once I actually began to play at age 26.

When I first started to play, APD, I wanted to be in the English school world. It was a nice blend of hostile, but not fully hostile authority. I would call it detached authority. Ideally, they were fair and not abusive, but stoicism was certainly called for. I enjoyed exploring the extent of my stoicism, and I felt a particular buzz because I had, for so much of my life, been so very fearful, particularly of physical challenges.

But—but. M’s instinct with Casey tended towards the domestic, and towards the firm and compassionate end of semi-con play. We imagined the orphanage together, but we never played it, at least not with me as the bottom. Actually, we played Casey at the Perfect People once or twice, and that “Casey” turned out not to be much fun; she was so traumatized, she scarcely spoke. She wasn’t very robust. So, whether through observation or instinct, M realized, I think, that although I had come out of the orphanage, it would not be a good place for me to visit, now.

We did one scene early in our relationship with him as a hostile top. It taught us a lot, not least because it was such a disaster. But that is another story…

As previously discussed, I’ve never really played with safewords. This isn’t out of any philosophical stance, but simply because they proved extraneous in my play relationship and in the few scenes I did outside that relationship. Another common practice that has never quite entered my play is the warm-up. This probably has to do with the fact that when I play, it is always–through role–real, in which case a warm-up would seem at cross-purposes, and thus on some level probably pervy. I think, perhaps, I have been missing something.

I’ve no idea why, but this morning popped into my head a memory of a trip to the doctor for planters warts. This would have been just after I met M, probably just after my first trip to Englandland to visit him (three weeks of a dark December in Surrey). Planters warts are a painful and difficult-to-eradicate infection usually in the sole of your foot, in my case in the flesh of my heel. You have to soak your foot twice a day, scrape with a razor blade down to the roots of the thing, and then staunch the blood with a salicylic acid preparation. (Sorry, graphic part over.) Let us simply say that in addition to the expected kinds of pain, I was experiencing considerable discomfort during that trip.

Eventually I broke down and visited the doctor. Doc confirmed that it had gone beyond the soak&scrape stage and that the only solution now would be to freeze them off with liquid nitrogen. He warned me: this could get quite painful, and I should let him know if I needed him to stop. I, overflowing with confidence borne of newly discovered tgi play, told him it was fine. I gave him my stoic face. He put my bare foot up on the table and took out something that looked like a blowtorch. I blanched.

Ok, he said, I’m just going to keep on with this until you tell me to stop. It’s not going to hurt at first, but then it’s going to start hurting and keep getting worse.

Me: Sure.

Doc: Oh, and you should know that the pain is going to keep increasing for a while even after I stop, so you should tell me to stop before it’s at the absolute limit. K?

Me: (gulp, nod)

This was an interesting exercise: to safeword, but to have to safeword before you’d reached your limit. You didn’t want to do it too soon, because then the treatment wouldn’t be as effective, but if you left it too late, you might find yourself in an agony you didn’t want at all. It was, intellectually, quite hot.

Playing with yourself is hard, as previously discussed here and here (among other places), and it is most unsatisfactory for exercising anything but your imagination (and even then only a fraction of it); but, playing with myself is what I have been doing for the last twenty months.

Mostly this takes the form of conversations between TL and Casey, or me and Casey. Sometimes Casey turns up around other people, though she is pretty careful only to show her face around people who won’t recognize her. Once, for instance, we were going around a part of a wildlife park where you could pet the smaller animals. We were with a younger relative, and Casey was “in” 100%. There was one part where there were mice and squirrels nesting inside socks. Casey started literally to jump up and down: Socks! They sleep in socks!! Younger Relative was also experiencing cute-overload, though he was a bit more stiff upper lip about it. At one point he said, Oh, it’s your inner child. I said, That is exactly who it is! Unfortunately, I couldn’t introduce him to Casey just then, lol.

As a child (APD) I played with my dolls a lot, when I wasn’t at rehearsal for children’s theater. My brother and I were close in age and played together, but he was in many ways an unsatisfactory playmate. He was terrifically stubborn (a necessary defense, probably, against my bossiness) and although he could be made to go along with my schemes, he rarely seemed to make anything up himself. Also, he was a musical prodigy so from a young age spent hours in solitary practice of his instrument. So, I played with my dolls. Sometimes, now, it feels like the same thing. The only difference (besides the lack of dolls) is that I know now what real playing is, with a real playmate who will invent with you and move the play along and surprise you and blow your mind. I know enough to miss it.

M used to play all the time, in every way, not simply roleplay or tgi. It’s hard to convey, or even to think of an example. The plastic seedling trays were labeled by him. The onions say, for instance, unyons. Maybe you had to be there.

Last summer I went back to Englandland for the first time, and I met a couple of people whom I described to my mother as “blogging acquaintances.” Friend 1 took me out to lunch and then wandered with me through the streets of Eton. I had not wandered around Eton since I was eighteen, but it hadn’t changed much. We walked and talked, and then it started, inconspicuously. Watching a begowned teacher walking down the street carrying books, we caught our breath. “Except,” she said, “he should be carrying something else.”

Imagine a giant permission slip.

And so it continued, casually, as asides to the regular conversation: “Oh, I’d like to report to his study after games.” or, apropos of some boys in sports kit bending over to pick up gear, “Oh, you can stay just as you are, thank you.” You have probably done this kind of thing  yourself.

I think I might have burbled a bit to dear Friend 1. Simply talking this way was like being awakened from a kind of winter’s sleep. I hadn’t realized until just then how very much I missed it.

Fast forward to a couple of weeks ago when I found myself g-chatting with Friend 2. We both type as fast as we talk, so the conversations tend to be dizzying, but at one point she said something about us going back to Switzerland. It was some kind of typo, as we had never been to Switzerland, at least not together, so I joked, “We had so much fun, didn’t we?”

She didn’t hesitate: “I know!”

Me: I liked that youth hostel where we went hiking.

Her: I preferred the chalet.

Me: It was very pretty, but you know that guy broke my heart.

Her: He had the most awful sweater!

Me: So true! I was blind…I miss that rather authoritarian rest cure place.

Her: Oh, man, no kidding.

Later, I realized: she was playing with me. I had a playmate! You may think I am grasping at straws, and in fact I am, but the point is how it felt to play, even with faraway Friend 2 via text chat, or faraway Friend 1 last summer. It felt like moving after being locked up for longer than you can remember.

This week, Casey has been pressing hard, against whatever it is she presses. (viz. the experience that gave rise to Double Teamed). One way it expressed itself was a powerful desire to buy her a dress I’d tried on at H&M. This dress was so cute (gray flannel pinafore, buttons up the back, tie at waist, knee length) and I thought Casey would look so cute in it. Unfortunately, it didn’t fit very well (I have a large cup size and it was fitted in the chest). I was bemoaning this to Friend 2, saying it might fit if I lost some more weight. Friend 2 suggested I get it and put it in the back of the closet, knowing that from H&M it couldn’t cost that much. So, yesterday, we went back to the store and I got the dress for Casey, in gray and in navy. And, now it even fit.

Home we get from the store, but she couldn’t try it on yet because TL had a student. Turned out the student needed help with a Latin translation, and it turned out one of the words was verberare, which, we discovered, means to flog. It was very difficult to keep Casey in check at this news. She tore open her own dictionary and scoured the page: verberabilissumus, altogether deserving of flogging! At one point TL’s student forgot what the word had meant.

Casey: To flog!

Kid: Oh, wait, I thought it was to beat.

Casey: Right, flog, beat, whip.

Kid: What’s flog mean?

TL at this point asked Casey to fetch something from the other room while she defined flog for the kid. When Kid worked out that the criminal in his translation was being threatened with verbereris, his response was, “Wow, harsh!” Casey had to be sent on another errand at this point.

Finally, TL’s lesson ended and Casey was allowed to put on her frock. Navy blue, white blouse, navy gym knickers, white ankle socks, black school shoes. And let me tell you, Casey has never been more In for the last twenty months. My body was taken over by her, walking like her, skipping around, even – wait for it – smiling. I felt quite literally possessed by someone else. Except I knew her. I had known her. It had been a  long time.

M’s first visit lasted four days. On the last day we drove out of town and went on a hike in the woods. Afterwards, I remember being in my kitchen, him shaving at my kitchen sink, the smell of his shaving foam, and this overwhelming desire to be back in that relationship between Casey and Mr. Prior. I secretly got my hands on M’s pack of Marlboroughs, and as he was shaving, I went through to the study.

Picture my apartment as it was then: a four room railroad-style flat with no doors between the rooms, kitchen at the back, study at the front. It was August. Casey sat down in the “kid” chair, which was tucked out of the sightline from the kitchen. She lit a cigarette and pseudo-smoked it, ashing into a candle on the bookshelf. There was a box fan blowing a cross-breeze, and she took care to blow well into the fan so that the smoke would be visible, even if she wasn’t.

It seemed to go on a long time, this mouthing of cigarette smoke, the noise of the fan. And then suddenly, there he was: Mr. Prior.

“Morgan!”

She jumped six feet in the air, it seemed, having heard nothing, seen nothing. Stubbed out the cigarette. Stood up. He was gob-smacked by what he was seeing. How was it that this girl, this American girl, new to College just a few days hence, had decided to use his study, of all places, to smoke a cigarette? I don’t recall the dialogue, but it was brief. She was instructed to change into her uniform (she was wearing blue cotton shorts, sneakers, t-shirt) and report back in ten minutes.

In the dressing room, I put on her newly cobbled-together uniform. He had brought me a patch for my blazer. I’d found the blazer, grey flannel trousers, and Casey’s school shoes at the sadly now-defunct Domsey’s Warehouse. The patch had finally been stitched onto the blazer. I dressed, she dressed, trembling. We paced in the hallway. Scared. Frustrated. Confused.

On top of all this was another thread that had emerged in their earlier scene, and this was about Casey’s father. Carl Morgan was in military intelligence and was stationed somewhere dangerous, hence her being shipped off to College (parents divorced). But, she assured Mr. Prior, he was coming to visit her for half-term. He had told her so. In fact, she wasn’t going to be staying at College very long. She was pretty sure she’d be going home soon. Her dad had said so. This is what she thought about in the corridor waiting for the ten minutes to be up.

When she approached the study, RP was seated at the desk [my desk!]. He noted with grim approval her finally-arranged blazer, but got straight to his flabbergasted outrage.

“I just beat you yesterday!” he complained. What on earth could she possibly have been thinking?

“I wasn’t really smoking,” she said.

He almost did not know what to make of this. She explained that she’d only been stage smoking.

“Where did you get the cigarettes?” he asked.

Oops. Thou shalt not peach. “I’d rather not say, sir.”

RP was a Public School man and a gentleman and was prepared to accept this, for the moment. But he wanted to know why on earth she did it. It simply made no sense to him. “Were you trying to get yourself beaten?” he asked.

“No!” She struggled to explain, even to herself. “I just wanted… to be in here.” She dried up.

A silence full of so very much. And then somehow, through some genius of his, or grace, he seemed to get it, even though she didn’t. Even though I didn’t.

This time there was no choice of lines. It would be eight strokes. I can’t remember the technicalities of it, why eight, what they were apportioned for, but he told her to meet him in the Houseroom.

And so in the Houseroom [kitchen] she waited, sick and shaking before the Houseroom table. Pretty soon he came through, carrying the cane. Imagine, a man walking into my kitchen carrying a cane as if he knew what to do with it. He took off his jacket and instructed her to do the same. He took her jacket from her hands and told her to bend over the table. When she was in position, he pulled the tail of her shirt out of her gray school trousers [as previously discussed, purely for theatrical value!].

And it began.

She saw right away that he’d been going easy the first time. This hurt a good deal more, on top of the (first ever) four the day before. She was getting twice as many. He was hitting harder. I think she yelped.

Afterwards, when told to stand up, she gave the customary thank you. They shook hands. He met her eye and said, “Well stuck, Morgan.” It was sincere. There was that palpable but restrained love and care. My chest was melting like lava. I wanted more than anything to say there, with him, in that.

A little later there was a short scene in which he said good-bye to her. Mr. Prior had to take a short leave from College to sort out a personal situation. Miss Lincoln would be in charge. But, he told Casey, he would be keeping a particular eye on her. Again, the lava melting bones. Like heartburn in all your cells at once.

And one more thing, he told her. He had managed to reach her father on the telephone.

“When’s he going to get here?” she interupted, suddenly happy, hopeful, plunging entirely into that blind confidence in a rock-solid good thing.

“I’m afraid he isn’t able to come,” Mr. Prior said gently.

Imagine a tidal wave, searing, crushing, destroying.

“What do you mean?” said a small voice.

“He was sorry not to be able to talk with you himself,” Mr. Prior told her. “And he is very sorry he can’t come visit you as he said. He will see you at Christmas, though.”

Her lip was trembling. She blinked back tears.

“Oh. Right.”

“So,” RP continued, “it looks as though you’ll have to put up with us for a while longer.” She nodded, trying not to let the tears show. He put his hand on her shoulder. “Casey,” he said calling her by her Christian name for the first time, “I’m sorry.”

“It’s fine,” she whispered. “It’s no big deal.”

When the scene was over, she went away and sobbed.

Writing about this now, especially having read other people’s scene accounts, I can see how odd it must look. The tgi gives focus to the scenes, but it isn’t really the center, or even the most powerful force. The most powerful force, perhaps, is Casey’s heart. How it longs to be with Mr. Prior in his study, somehow. How lascerated it is by her real dad, who loves her very much but cannot help but let her down. How much of a cataclysm the whole visit turns out to be, how much she loves him (M, Mark, Mr. Prior) by any name, as she has never loved anyone or conceived of loving.

He had to get on a plane later that night. I collapsed in bed and passed out from the ordeal of his visit, from overstimulation, from a kind of grief. He promised to come again, soon, October. Ten thousand years away.

But then came, as so often with him, a lucky strike extra, a gift of grace. At eight AM, my phone rang. I dragged myself from unconsciousness to answer it. His flight had been teched. He was still here. He wasn’t leaving until that evening. We had a whole extra day.

I am so grateful I never knew—then or even the morning before he died—what was coming. I knew, then, that we needed the extra day. What I didn’t know was how much we needed it. How very much.

The short answer to what Casey has been up to is NaNoWriMo. Don’t run away just yet. Rest assured this is not one of those posts that will go on at length about how Stressful, how Angst-ridden, how Amazing-Super-Awesome, how Challenging this Incredible-Amazing-Super-Awesome-Herculean-Insane-Really-Insane month was. No offense to any NaNo pals, but even when I feel that way myself, reading about it from other people makes me secretly want to slap them. So, I won’t whitter on with the breathless, flushed, nauseatingly healthy glow of the physically fit after a bracing run. Screw those people (again, no offense to the fit amongst you).

As you might have gathered from the NaNo widgets, I did in fact “win”. That’s right, kids, I am a Winner. Please remind me of that when I feel like a Loser, which is pretty much all the time. When M and I used to play, often we would have to time-slip a scene. For instance, maybe the board said Marky was to report to TL at 7.30 pm for a Report, but then when 7.30 came around, M wasn’t in the right headspace, and since I wasn’t willing to have TL take the rap for screwing around with kids’ Reports, we just time-slipped the scene, i.e. did it another time, but said it was the original time. When you’ve got a constant fluid narrative going on—some of it actually acted out, some of it just discussed with each other—the time slip is an indispensable tool for keeping play and life in balance.  So (this was not actually a non-sequitur) if the actual completion of the 50,000 words was every so slightly time-slipped by a few hours (but less than 12), because we found it shockingly difficult to pull the kind of late hours we used to pull, well, then, the Office of Letters and Light* neither knew nor minded. Anyway, since we were officially NaNo rebels, writing the 50K on a pre-existing project, the little time-slip fit right in. And the point is that we wrote that many words, new words, and more importantly, we finished the key plot arc in the book. Win. *rotates finger ironically*

Depression, anyone? I was talking to my spiritual director about the annoying neutrality that has ensued. I ought to feel at the very least grateful because I wrote more on my real writing in November than I wrote since M died. I wrote a piece of narrative I’ve been thinking and wondering about for more than ten years. I’ve been praying for help getting that writing started again, injecting some life there, if possible. And, look, it happened. So why does it feel like it’s nothing?

My spiritual director is wont to draw upon literature for illustration (whether he does this always or just with me, I don’t know), and his view was that a) feelings at the end of things were unpredictable, and b) not being able to value the valuable was, simply put, a maneuver of evil upon us when we are vulnerable. He recalled The Screwtape Letters, which I adore. In them Lewis so dramatically and comprehensibly helps us imagine the way evil works upon us. I love Lewis’s imagining of Satan as a kind of drab, far-removed civil servant jeffe, Screwtape. The hapless Wormwood is coached on his almost medical mission viz. his Patient (i.e. the person he is attempting to corrupt). Screwtape and Wormwood are not inspiring murder, rape, fornication, theft, genocide, destruction, or anything particularly dramatic, but instead they work upon the Patient by gently suggesting things to him that lead him by hairs away from what is true and ultimately good.

by Moro Rogers http://kambodiahotel.blogspot.com/

So here am I, 50K later, and do I feel satisfaction at good work? Do I even feel gratitude? No, I don’t, because the Wormwoods of this world are whispering in my brain: It’s not that big of a deal. You’ve done that before, so big whoop. 50,000 horrible words are nothing to be proud of. You may have written all that, but it’s not a book, and since you remain entirely confused, will probably never become one, especially as the one person you could rely upon for good advice is dead. And anyway, even if you did finish it, it will just go the way of the last one—nowhere.

Recognizing this as a form of evil helps, I think. Self-doubts, perhaps, ought to be analyzed, disputed, argued around. Evil, however, must simply be turned from. And so I turn. It hasn’t brought an onrushing of joy. I’m not sure I’m capable, yet, of such an emotion. But it has allowed me to start rereading the drek that was so unbelievably bad it felt that my fingers should fall off from typing it. And, you guessed it, the drek is not as bad as it seemed at the time. In fact, it’s good in places. I say this not to brag, but to encourage those of you who wrote some or all of the 50K, but are so embarrassed by your efforts that you can’t bear to go back and read it. Something happens to work written that fast. It may not be brilliant, and large swaths of it may call for laughter, but when you go back to it, the writing will contain things you have no memory of putting there. So, if you don’t reread, you can’t enjoy them. Message: man up and read the shit. If you are thinking to yourself, Well, it’s fine for Casey to say that, she’s a good writer, but I’m not, I have one word for you: Screwtape.

Those of you who aren’t into all this writing business, normal service will resume… at least I hope it will.

* The HQ of NaNoWriMo

gotta love Kate Maberly as Mary Lennox

I’ve been giving some thought to the subject of blog comments. We all like getting them. They make us feel heard and appreciated. Conversely, it’s easy to feel, when a post receives few or no comments, that people don’t love you.

I try not to go down this path, and I try not to beg for comments. It rubs against my wasp upbringing. Nevertheless, I can see that my posts don’t get as many comments as many of the blogs I read. What is it about my writing that discourages comments, I wonder? Is it my wasp reserve? Is it that apparent self-sufficiency that made people in college like and respect me, but never fancy me? Or perhaps I don’t give readers a place to enter? Perhaps I overwhelm them with too much reading.

Blogging isn’t a popularity contest for me, even if it sometimes feels like one. My goal is not to build a readership so I can sell books or feed a pay-site, both legitimate motivations, if not mine. Nevertheless, I can feel despondent when there aren’t many comments. This is inappropriate—or, since I despise that PC word, misplaced—because people who comment on my blog are not there to provide me with mass love. Even online friends, while they might express great support and affection, cannot genuinely love me, or vice versa.

But do I really believe this last statement? As a writer and reader, I know sometimes deep connection and in fact love can occur through the written word. For instance, I have first known and loved many of my students through their writing. Reading someone’s writing can be far more intimate than spending an evening with them down the pub or at dinner. And I would say I feel love (philia) towards blogging and twittering friends whom I have never met in the flesh. How does this compare to the love of in-person friendship tested over time? I am not yet in a position to say.

And the blogs I read that get several comments per post–these writers know many of their commentators well and have played with them (or more) in a most intimate, real-life fashion. So they are “real-life” friends, certainly more tightly bound to each other than I am to them. Thus, perhaps my aloneness in life is partly reflected in the comment traffic on this blog.

www.kate-maberly.com

This morning I was trying to get up at quarter to five, but my mind was absorbed by thoughts of casey. Jessica’s post last week about getting teary in scene stimulated my imagination about how I anticipate casey might feel playing again. Sometimes I imagine her going to a Lowewood day, or some other group scene of a not-too-adult nature, perhaps with England people. But, I don’t imagine her having fun as they do. I see her pretending to have fun but actually feeling terrifically alone and small and orphaned and abnormal; wanting RP and feeling that she must have been very wicked for him to go away; hearing a voice in her head telling her she can’t ever be like these people, telling her they will never understand or love her like he could, that she is just a bore to them–”You OK, Casey?” “Oh, yes!” smile-smile–And if she ever got seriously told off or pink-slipped (or whatever it is they call it when you get sent for to be whacked), she’d be sitting there thinking: See, you are bad, and no one can love you, and these people will never invite you back, and RP won’t be there to love you later, and neither will Marky, and if you hadn’t been so selfish and bad they’d still be here. And the tears would be streaming down her face, like they are now, and these people who were just wanting to have a fun day together wouldn’t know what to think, and would find me way too much work and un-fun, and no one would take me aside and sit me on their knee like they did Jessica, and let casey sob her heart out on their shoulder without them feeling used, and then, when she’d recovered, get her over the hump by telling her that she wasn’t bad at all, but she had been slightly naughty and really ought to take the penalty for that, and then give her a firm but sensitive punishment otk, and then look after her with a kind of housemaster’s-daughter benevolence and firmness all the rest of the day, encouraging her gamely in any cheekiness that might incur penalty because they recognize it as a sign of health, not something that needs true scolding.

www.kate-maberly.com

Except then these people would have to not go away, because if they did (for instance by living in another country, or by being busy and/or married), it would just make her feel more alone and orphaned and wicked.

And so this is why I have not let casey play RL even though I go to parties and meet people who would put me over their knee if I wanted. Because in the realest sense, tgi isn’t play for casey, or for me. At least not in the way most practitioners mean it.